Catalogues – Uriel Orlow

Archive: Catalogues

Gineceu & Estigma | Ed. Matilde Seabra | Galeria Municipal do Porto | 2024

The publication Gineceu&Estigma is the result of the programme of the same name, an axis of knowledge and mediation based on the Botany of the Jardins do Palácio de Cristal, as part of the ping! – Gallery Incursion Programme, an educational project run by the Galeria Municipal do Porto. The contributions gathered here, as well as the activities that have been presented over time, indicate different possibilities for establishing more equitable relationships and rapprochements with the natural world. This book is not just a memoir, but the extension of a project that is continually expanding and developing. It is divided into four chapters – Botanical Speculations, Mycorrhizae, Hackers&PANCs and Terrariums – showing an eco-thinking that runs through both theoretical reflection and practical educational actions, through workshops, essays, talks and interpretive routes.

Available by e-mail galeriamunicipaldo@agoraporto.pt

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A publicação Gineceu&Estigma resulta do programa homónimo, eixo de conhecimento e mediação a partir da Botânica dos Jardins do Palácio de Cristal, no âmbito do ping! – Programa de Incursão à Galeria, projeto educativo da Galeria Municipal do Porto. Os contributos aqui reunidos, assim como as atividades que foram apresentadas ao longo do tempo, indicam diferentes possibilidades para se estabelecerem relações e reaproximações mais justas ao mundo natural. Este livro não é apenas uma memória, mas a extensão de um projeto que se expande e desenvolve continuamente. Divide-se em quatro capítulos – Especulações Botânicas, Micorrizas, Hackers&PANCs e Terrários – mostrando um ecopensamento que atravessa tanto a reflexão teórica como as ações educativas práticas, através de workshops, ensaios, conversas e percursos interpretativos.

View Uriel Chapter as PDF here

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stadtprojektionen | ed. Nina Keel and Anna Vetsch | 2024

Designed by Laura Prim, it sheds light on the exhibition format and looks into the characteristics of the five editions realised in various parts of St Gallen. For each edition, four or five projections are examined in more detail, with photographs and short texts. These are accompanied by pairs of terms in silver, which give an impression of the projection and its impact. Two longer texts add depth to this visual journey: Author Lauren Elkin approaches the projections by taking a kind of mental stroll. The text by art historian Yasmin Afschar deals with projections and film in public spaces, as well as the potential they hold.

The publication costs CHF 28 and can be ordered by email: post@stadtprojektionen.ch

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Une Clameur | ed. bermuda | 2024

Catalogue published on the occasion of the group exhibition Une Clameur at the Château de Voltaire & Fort l’Écluse, an initiative of Pays de Gex agglo, curated by Max Bondu, Bénédicte le Pimpec and Guillaume Robert, with works by Atelier Paysan, Max Bondu, Mathilde Chénin, Félicien Goguey, Salômé Guillemin, LB Plantes, Faire argile, Louise Hervé & Clovis Maillet, Lou Masduraud, Krishna May, Dominique Petitgand, Marie Preston, Delphine Reist, Jean-Xavier Renaud, Simon Ripoll-Hurier, Pascal Rivet, Guillaume Robert, Maud Soudain, Célia Picard & Hannes Schreckensberger.

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Stranger in the Village | ed. Céline Eidenbenz and Sarah Mühlebach | 2024

A French-language edition that uses James Baldwin’s pivotal essay as a starting point for artistic analysis of racism in Switzerland.

James Baldwin (1924–87) penned his famous essay “Stranger in the Village” in the early 1950s during a stay in the Swiss Alpine village of Loèches-les-Bains. Decades later, it is the starting point for an examination of racism in Switzerland, particularly in the art and culture industries.

Stranger in the Village features works by international contemporary artists—including Igshaan Adams, Kader Attia, Omar Ba, James Bantone, Marlene Dumas, Melanie Grauer, Jonathan Horowitz, Sasha Huber, Pierre Koralnik, Glenn Ligon, Martine Syms, and others—that react to Baldwin’s literary-political treatise. Essays contributed by distinguished authors supplement the artistic debate and highlight the consequences of the prevailing structural racism.

This multilingual, French–German book is an invitation to break taboos. It holds a mirror up to us, raising questions that concern us all, and reveals the topicality of everyday racism to every one of us through the artwork it presents.

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Apropos Hodler | Ed. Zürcher Kunstgesellschaft / Kunsthaus Zürich | 2024

Apropos Hodler – Current perspectives on an icon Exhibition catalog with Contributions by Sabian Baumann, Diana Blome, Monika Brunner, Ishita Chakraborty, Kim de l՚Horizon, Matthias Frehner, Sandra Gianfreda, Niklaus Manuel Güdel, Cathérine Hug, Siri Hustvedt, Mariam Kühsel-Husseini, Rachel M՚Bon, RELAX (chiarenza & hauser & co), Olga Stefan

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Parliament of Plants II | ed. Christiane Meyer-Stoll | 2023

Parliament of Plants II is accompanied by a card box that buyers can add various items to themselves: the box contains folded posters with texts that are dedicated to the twelve exhibiting artists, a booklet on The Politics of Plants.

With textual contributions by Ursula Biemann, Inês Grosso on Rivane Neuenschwander & Mariana Lacerda, Nigel Pitman on Thomas Struth, Athena Vida and Miki Yui. Conversations between Polly Apfelbaum and Roman Kurzmeyer, Anna Hilti and Hans-Jörg Rheinberger, Jochen Lempert and Christiane Meyer-Stoll, Uriel Orlow and Zheng Bo, Silke Schatz and Rita Kersting. Letters by Alevtina Kakhidze

More information here.

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Chaleur Humaine | (ed.) Silvana Editoriale | 2023

This book accompanies the second edition of the Art & Industry Triennial – Chaleur humaine (10 June 2023 – 14 January 2024), produced by the Frac Grand Large – Hauts-de-France and the Lieu d’Art et Action Contemporaine (LAAC) in Dunkirk. Its objective: connecting the history of art to forms of energy since 1972.
Edited by Camille Richert, with Anna Colin, the Triennial curators, and encompassing a series of essays by social science scholars, the exhibition catalogue touches on and problematises notions of progress, resources, consumption and productivity. It further highlights the ways in which artists, through their perceptive accounts, have examined these subjects, making new forms or functions of energy emerge.
A chronology set in the middle of the catalogue lays out some of the successive milestones of this intertwined history. In addition, a conversation between the curators and some of the artists exhibiting in the Triennial provides some keys to understanding the current debates around the theme of energy.

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Art and Climate Change | Maja Fowkes, Reuben Fowkes | 2022

Art and Climate Change collects a wide range of artistic responses to our current ecological emergency. When the future of life on Earth is threatened, creative production for its own sake is not enough. Through contemporary artworks, artists are calling for an active, collective engagement with the planet in order to illuminate some of the structures that threaten biological survival.

Exploring the meeting point of decolonial reparation and ecological restoration, artists are remaking history by drawing on the latest ecological theories, scientific achievements, and indigenous worldviews to engage with the climate crisis. Across five chapters, authors Maja and Reuben Fowkes examine these artworks that respond to the Anthropocene and its detrimental impact on the planet’s climate, from scenes of nature decimated by ongoing extinction events and landscapes turned to waste by extraction, to art coming out of the communities most affected by the environmental injustice of climate change.

Featuring a broad range of media, including painting, photography, conceptual, installation, and performance, this text also dives into eco-conscious art practices that have created a new kind of artistic community by stressing a common mission for creators all over the world. In this art history, the authors emphasize the importance of caring for and listening to marginalized and indigenous communities while addressing climate uncertainty, deforestation, toxicity, and species extinction. By proposing scenarios for sustainable futures, today’s artists are reshaping our planet’s history, as documented in this heavily illustrated book.

Maja Fowkes is a curator and art historian with a focus on the theory and aesthetics of Eastern European art from the socialist era to the present. Fowkes is a co-director of the Translocal Institute for Contemporary Art in London.

Reuben Fowkes is a curator and art historian with a focus on the theory and aesthetics of Eastern European art from the socialist era to the present. Fowkes is a co-director of the Translocal Institute for Contemporary Art in London.

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Devenir fleur / Becoming flower | MAMAC, Nice | 2022

Catalogue published on the occasion of the group exhibition Devenir fleur / Becoming flower at MAMAC Nice, curated by Hélène Guenin and Rébecca François and part of the Nice Biennal of Arts 2022, with works by Laurence Aëgerter, Maria Thereza Alves, Isa Barbier, Yto Barrada, Hicham Berrada, Minia Biabiany, Melanie Bonajo, Bianca Bondi, Fatma Bucak, Chiara Camoni, Ali Cherri, Jean Comandon & Pierre de Fonbrune, Marinette Cueco, Odonchimeg Davaadorj, Andy Goldsworthy, Nona Inescu, Kapwani Kiwanga, Tetsumi Kudo, Marie-Claire Messouma Manlanbien, Ana Mendieta, Marie Menken, Otobong Nkanga, Dennis Oppenheim, Uriel Orlow, Gabriel Orozco, Giuseppe Penone, Pia Rönicke, Michelle Stuart, Anaïs Tondeur, NILS-UDO, Zheng Bo.

PDF excerpt

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12th Berlin Biennale for Contemporary Art | Still Present! | June 2022

Published on the occasion of the 12th Berlin Biennale for Contemporary Art in 2022, with texts by Ana Teixeira Pinto, Ari Gautier, Blanca Victoria López, Blandine Chavanne, Boudou Karima, David Chavalarias, Đỗ Tường Linh, Doreen Mende, Florian Sông Nguyễn, Forensic Architecture, Francoise Vergès, Gesine Borcherdt, Giscard Bouchotte, Haig Aivazian, Heidi Ballet, Huey Copeland, Imani Jacqueline Brown, Jean-Jacques Lebel, Joanna Warsza, Joud Halawani Al-Tamimi, Kader Attia, Kim West, Lotte Arndt, Marie Helene Pereira, Maryam Kazeem, Matteo Lucchetti, Michele Faguet, Moses März, Najrin Islam, Negar Azimi, Noam Segal, Olivier Marboeuf, Omar Kholeif, Prabhakar Kamble, Praneet Soi, Przemysław Strożek, Rachel Kent, Rasha Salti, Reem Shadid, Rijin Sahakian, Sabine Weier, Samira Ghoualmia, Sarah Rogers, Sumesh-Manoj-Sharma, Tammy Nguyen, William J. Simmons, Zach Blas.

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Taipei Biennial 2020 | You and I Don’t Live on the Same Planet | Bruno Latour and Martin Guinard

Taipei Biennial 2020 titled “You and I don’t Live on the Same Planet” was co-curated by French scholars Bruno Latour and Martin Guinard, along with Eva Lin as the public programs curator. This exhibition invited 57 artists and teams from 27 countries and territories with specialized expertise in fields such as political science, sociology, geography, marine science, and relevant humanities and history departments. Considering that the world is facing serious ecological conflicts and that acknowledges and perceptions toward the world or planet are utterly disparate, the curatorial team introduces the concept of “political and diplomatic tactics” to create “new diplomatic encounters”.

PDF excerpt

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Icone Vegetali. Arte e botanica nel secolo XXI | March 2022

Catalogue of the group exhibition Icone vegetali. Art and Botanics in the 21st century in Museo Villa dei Cedri, Bellinzona, Italy, March-August 2022.

External link

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Take Care: Kunst & Medizin | 2022

Published on the occasion of the exhibition Take Care: Art and Medicine, Kunsthaus Zurich (April-July 2022), with contributions by Vincent Barras, Christoph Becker, Flurin Condrau, Georges Didi-Huberman, Cathérine Hug, Adina Kamien, Bonaventure Ndikung, Muriel Pic, Linda Schädler, Agnès Virole, Nicola von Luterotti.

External link

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Earth Beats | ed. Kunsthaus Zurich | 2024

Catalog of the exhibition Earth Beats – Nature Image in Change, at the Kunsthaus Zurich, with contributions by Sandra Gianfreda, and Cathérine Hug.

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British Art Show 9 | 2021

Presented every five years, the British Art Show provides a vital survey of contemporary art in the UK. This, its ninth edition, has been developed at an extraordinary moment in British history, a time during which the UK was in the last throes of Brexit negotiations and, along with the rest of the world, finding ways to cope with a global pandemic.

British Art Show 9 is curated by Irene Aristizábal and Hammad Nasar and is structured around three main themes: healing, care and reparative history; tactics for togetherness; and imagining new futures. The 47 artists in the exhibition look at how we live with and give voice to difference; explore alternative economies; and propose ways of living together that emphasise commonality and collaboration.

This dynamic catalogue includes two wide-ranging curatorial essays, over 200 colour illustrations and original texts on all 47 artists.

Featured artists: Hurvin Anderson, Michael Armitage, Simeon Barclay, Oliver Beer, Zach Blas, Kathrin Böhm, Maeve Brennan, James Bridle, Helen Cammock, Than Hussein Clark, Cooking Sections, Jamie Crewe, Oona Doherty, Sean Edwards, Mandy El-Sayegh, Mark Essen, GAIKA, Beatrice Gibson, Patrick Goddard, Anne Hardy, Celia Hempton, Andy Holden, Joey Holder, Marguerite Humeau, Lawrence Lek, Ghislaine Leung, Paul Maheke, Elaine Mitchener, Oscar Murillo, Grace Ndiritu, Uriel Orlow, Hardeep Pandhal, Hetain Patel, Florence Peake, Heather Phillipson, Joanna Piotrowska, Abigail Reynolds, Margaret Salmon, Hrair Sarkissian, Katie Schwab, Tai Shani, Marianna Simnett, Victoria Sin, Hanna Tuulikki, Caroline Walker, Alberta Whittle and Rehana Zaman.

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slightly slipping on a banana skin

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The London Open 2018

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Manifesta 12 Palermo

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If Not for That Wall

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Propositions for a Stage: 24 Frames of a Beautiful Heaven

View pdf here