Exhibition of the film We Have Already Lived Through Our Future-We Just Don’t Remember It (2024) at the Fondazione Antonio Ratti, for the second session of the Permanent Cinema.
On Thursday 21 November at 6:30pm the session will be introduced by Towards a Vegetal Pedagogy, a lecture by Michael Marder, and followed by a conversation between Michael Marder, Uriel Orlow and Lisa Mazza.
Screening of Imibizo Ka Mafavuke at EMAMI Art, Kolkata, in a session focused on films by Swiss artists curated by Damian Christinger and supported by the Swiss Embassy in India & Bhutan at EMAMI Art Experimental FIlm Festival 2024. Screening along side works by Nicole Bachmann, Elodie Pong, Ursula Biemann and Monica Ursina Jäger.
Emami Art Experimental Film Festival (EAEFF) is a platform dedicated to curating and building discourses around alternative and experimental films, videos, and artists’ moving image practices.
As part of the Anton Bruckner Year 2024, the exhibition is dedicated to the aspect of communal singing from the perspective of contemporary art. The collection brings together around 20 national and international fi gures for whom singing is a fundamental point of reference within their artistic practice. The works on display explore singing in its various levels of meaning: be it as an expression of personal identity, as an opportunity for intercultural exchange, as a means of (political) protest, or as a community-building practice within contemporary societies.
With works by Sammy Baloji, Chto Delat, Michèle Pearson Clarke, Clément Cogitore, Ines Doujak, Noam Enbar, Nikolaus Gansterer, Mathilde ter Heijne, Dejan Kaludjerović and many others.
Artist talk with Samson Ogiamien and Uriel Orlow in the context of the exhibition ‘In dialogue with Benin – art, colonialism and restitution’ at the Rietberg Museum.
The Artist Talk will be moderated by Annette Bhagwati, Director of the Museum Rietberg.
On the occasion of the exhibition ‘Knowledge Is a Garden’, the museum is hosting an artist talk between the artist Uriel Orlow, Francesca Brusa (from the researcher ZHdK) and Louisa Behr (curatorial assistant).
Uriel Orlow curated the exhibition together with Nadia Schneider Willen, Co-Director Museum – Collection, and placed his own works in dialogue with works from the museum’s collection and external loans. His thematic starting point is his interest in the suppression of knowledge, the unlawful appropriation of knowledge and, ultimately, new forms of knowledge production and diversity. During the talk, Uriel Orlow will provide a deeper insight into both his own artistic practice and the selection process of the collection works and loans. The artist’s talk will focus on the impossibility of neutral knowledge production and reflect on the curatorial process, which is inevitably selective and thus makes a choice as to what knowledge is conveyed by the artworks.
The exhibition Knowledge Is a Garden presents Uriel Orlow’s elaborate three-part video installation Theatrum Botanicum Trilogy (2016-2018) for the first time since it became part of the Migros Museum für Gegenwartskunst collection. In addition, the artist was invited to place his works based on his own artistic interests in dialogue with works from the collection. His focus is mainly on artistic explorations of «wilful non-knowledge» (agnotology). What knowledge is permitted in the course of global power relations, what is suppressed or hidden? What knowledge is unlawfully acquired? How is knowledge lost? What is a knowledge economy?
With works by Maria Eichhorn, Susan Hiller, General Idea, and others.
For his show in the MCBA Espace Projet venue, Uriel Orlow is presenting a series of new works from a research project begun in Bolzano (Italy) which takes fossilised trees as its main subjects, in order to explore the extended time of climate change.
The exhibition ‘Imminent and Eminent Ecologies’, is co-curated by Leora Farber and Brenton Maart, and falls under VIAD’s newly established Bioart + Design Africa (BA+DA) research stream. The artworks on show foreground the entanglement between living and non/living forms, humans and the more-than-human, and the effect culture has on climate change. The exhibition advocates that holistic decolonial practice can only be manifest through breaking down the artificial boundaries between species, and between the organic and elemental. An important outcome of this is the emergence of a new kind of trans-species democracy composed of multiple materialities – a democracy whose constitution is premised on what theorist and physicist Karen Barad terms ‘intra-actions’ based on empathy, care and respect.
With works by Adam Broomberg and Rafael Gonzalez, Janneke de Lange, Leora Farber, Stacy Hardy, Russell Hlongwane, Francois Knoetze and Amy Louise Wilson, Dean Hutton, Bronwyn Katz, Nandipha Mntambo, Miliswa Ndziba and many others.
EVN, as a company, will be opening an exhibition about ‘Technik Innovation Wandel” at its premises. This exhibitionit is abouth the company’s history and special technical innovation programmes. The collection is also part of this exhibition, with four selected works of art. The selected artworks mirror technics, its history and innovation in a special and artistic way.
How is it possible in a technological urban world full of stimulation to maintain a connection with other species that share our direct environment? Building on the (re)connecting.earth (02) Biennial from Geneva, the edition “Beyond Water” evolved into a nomadic version in Kiel, featuring the works of 31 artists in two museums and in public space.
This edition highlights the diversity of urban ecosystems and the richness of contemporary art production with an environmental focus. It explores the artistic potential of using scientific knowledge to draw attention to, imagine, listen to, and visualize living forms. Thanks to the works of the chosen artists and local initiatives, the Kiel Fjord and parks will become a landscape of creativity, reflection, and participation.
Group show with works by Carolina Bachmann, Flurina Badel & Jérémie Sarbach, Juan Blanco, Seba Calfuqueo, Luis Camnitzer, Luis & Gabo Camnitzer, Julian Charrière, Eli Cortiñas and many others.
News from Everywhere is a series of artworks created for a noticeboard in London’s Ravenscourt Park. Six artists – one from every inhabited continent – were invited to respond to the board’s function and surrounding environment. Displayed over the summer holidays, News from Everywhere brings the world to Ravenscourt Park.
The exhibition takes its name from the 1890 utopian novel ‘News from Nowhere’ written by Hammersmith artist and activist William Morris. Set in 21st century London transformed by agrarian revolution, Morris imagined a more equal society, united by creativity, collective land ownership and respect for nature.
Supported by London Borough of Hammersmith and Fulham with special thanks to the Parks team, Rural School of Economics and MyVillages, POSK Gallery and The William Morris Society.
With works by Gele Hailu, Gudskul, Amy Franceschini, Yinjaa-Barni Collective and Fernanda Galvão.
The show curated by Leandré D’Souza with Dale Luis Menezes as Historian adviser, takes its inspiration from a collection of watercolors produced in sixteenth and seventeenth-century Goa, the Codex Casanatense (c. 1560 and 1580), which depicts daily life in Goa, Asia, and Africa; Suma de árvores e plantas da Índia intra Ganges (1612) by Manuel Godinho de Éredia, a compendium of Goan plants; and O livro das plantas de todas as fortalezas, cidades e povoações do estado da India Oriental (1635) by Antonio Bocarro, illustrating coastal areas of Africa and India.
This exhibition is presented by Sunaparanta Goa Centre for the Artsin support with Fundação Oriente, Delegation in India; Swiss Arts Council Pro Helvetia; Australian Consulate-Genrel in Mumbai, Australian Government, Creative Australia and Create NSW.
With works by Nadia de Souza, Ashish Phaldesai, Maria do Carmo Piçarra, Asavari Gurav, Viraj Naik and many others.
At the initiative of Pays de Gex Agglo, the Atelier Bermuda curatorial team is taking over two heritage sites – Fort l’Écluse and Château de Voltaire.
Bringing together some fifteen local and international artists, the exhibition Une clameur covers the whole spectrum of the visual arts, from painting and performance to sculpture, film, photography and sound installation. A clamour evokes a collective cry, a unified chorus. It is the expression of a mass, a group, a community, which, in an exhalation, makes itself heard. It is a potential clamour, capable of challenging an established order. But the massive energy it releases remains distant, as if promised, indistinct and confused. This title, manifestly sonic and political, underlines the role of a profoundly augural art form.
With works along side Atelier Paysan, Max Bondu, Mathilde Chénin, Faire Argile, Félicien Goguey, Salomé Guillemin, La fabrique éditions, LB Plantes, Lou Masduraud, Louise Hervé & Clovis Maillet, Krishna May and many others.
Ground Zero is a collective exhibition bringing together diverse artists working along the themes of ecology, the relation between human and non-human world, the relation between urban and rural living and the activation of material and immaterial heritage. The title refers to a starting point, to the possibility of new beginnings and connections. At the same time, it refers to the ground as a starting point, to the earth as a place where life and creation appear. How could we build from the ground up new ecologies of care between artists and rural communities?
With works along side by Marcelo Moscheta, Cristina Ataide, Susana Anagua, Catarina Leitão, Nithya Iyer, Nii Obodai, Mónica de Miranda and Jermay Michael Gabriel.
A live soundtrack in collaboration with Tobias Koch accompanies the screening of Forest Futurism, to introduce the movie with a conversation between Evelyn Kustatscher (Museum of Nature South Tyrol) and Uriel Orlow.
The exhibition presents a series of works that are part of continuous research about the fragility and power of the written word. Through the exploration of text, redaction, and the materiality of language, the show explores different narratives of how writing constructs and obfuscates reality and memory. The works highlight the ritual value and the material role of the written word, marking a space filled with tensions where language both preserves and fails to capture the unspeakable.
With works along side by Lawrence Abu Hamdan, Saâdane Afif, Marwa Arsanios, Bianca Bondi, Teresa Margolles, Carlos Motta, Oscar Muñoz, Nicolás Paris and Charwei Tsai.
“Problemas do Primitivismo – A Partir de Portugal” is an exhibition that, based on extensive research in Portuguese archives and collections, questions “primitivism” and its contradictions. The exhibition addresses the contexts of dictatorship, colonisation, anti-colonialism and post-colonialism, proposing a visual machine impregnated with images and artistic and cultural references that problematises the invention of the “primitive” and its persistence into contemporary times.
With works along side by Achille Mbembe, Amadeo de Souza-Cardoso, Bernardo Marques, Boris Groys, Canto da Maya, Cottinelli Telmo, Cristina Roldão, Cruzeiro Seixas, Mário Cesariny, Kiluanji Kia Henda and many others.
Screening of the film Muthi at the Lagerhalle, Osnabrück, as part of the “Flowering Substances- A Film Programme Like a Brew of Petals, Tears, and Rituals programme ” at the European Media Art Festival Nº37. Screening along side works by Dagie Brundert, Theo J Cuthand, Stuart Marshall, Santiago Lemus, Camilo Acosta, Zachery Longboy, Leslie Thornton an Amina Ross.
The EMAF screens experimental and artists’ films from around the world and is interested in forms that move along disciplinary peripheries or between film and performance, document and experiment. Short and long, digital and analogue films that relate to social and political reality in an exploratory and questioning way find their place here. At the same time, the EMAF is open to works that test new forms of cinematic presentation. Our aim is to make cinema a space for encounter and exchange: a space for projections beyond the status quo.
Screening of the film The Crown Against Mafavuke at the film programme Teatro di Natura.
Magic Lantern Film Festival presents Teatro di Natura (Theatre of Nature), a film programme conceived in collaboration with MuST – the Museum of Science and Territory and the Museum Network of Spoleto, on the occasion of the 2024 edition of the Festival della Fauna. The festival takes inspiration from the figure of Bernadino Ragni, a zoologist from Spoleto who dedicated his life to the study and understanding of wildlife.
Screening along side works by Mircea Cantor, Martin Creed, Michela De Mattei, Adrien Missika, Atoosa Pour Hosseini, Natalia Trejbalova, Luca Trevisani and Ana Vaz
This group exhibition developed in Dakar offers a fresh perspective on the past and creates spaces for alternative forms of knowledge and knowledge transfer. In their installations, photographs and objects, participating artists explore how a decolonial perspective can shape our vision of the future.
Ré-imaginer le passé was first showcased at Musée Theodore Monod in Dakar in 2023. It is part of the TALKING OBJECTS LAB – a series of exhibitions, artist residencies and events held in Senegal, Kenya, Germany and other countries since 2020.
Curated by Mahret Ifeoma Kupka, Isabel Raabe, Ibou C. Diop and Malick Ndiaye.
With works by Elsa M’Bala, Fatou Kandé Senghor, Caroline Gueye, Nathalie Anguezomo Mba Bikoro, Ibrahima Thiam, Viyé Diba, Mansour Ciss Kanakassy, baobab création, C& Center of Unfinished Business