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Archive

Choreography of the Frame | Kunsthalle Exnergasse, Vienna

The exhibition Choreography of the Frame investigates and negotiates positions and strategies of image production – through conceptual or technical frameworks and shifts in the context of photography and moving image, images and statements are redefined and re-contextualised. The dissolution of established genre ascriptions, borders, and frameworks by individual artistic practices and strategies calls for a re-examination of the image.

Be it an enlarged photograph that takes on the dimensions of a wall or a space, a photograph that is folded into a sculpture, a photographic or filmic work that expands the mise-en-cadre to include or thematise the underlying conditions of image production – in all of the exhibited works the conventions are suspended, while the production process itself and its mechanisms, logics, and conditions are brought into focus.

With works by Marwa Arsanios, Gwenneth Boelens, Maia Gusberti, Yasmina Haddad, Herbert Hofer, Tatiana Lecomte, Gabriela Löffel, Claudia Märzendorfer, Charlotte Moth, Uriel Orlow, Pascal Petignat / Martin Scholz, Klaus Scherübel, Michaela Schwentner, Lina Selander

Curated by Maia Gusberti and Michaela Schwentner


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Art & Film | Nona, Mechelen

In collaboration with Filmhuis Mechelen and Academie Mechelen, in the context of  Un | arranged, a screening of 7 fascinating short films in which the theme of displacement – the feeling of being uprooted, degenerated, being somewhere other than what one experiences as home – plays an important role plays.

Curated by Hans Martens director of Academy Mechelen, and Fleur van Muiswinkel artistic coordinator visual arts and performing arts, NONA.


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Politics of Nature | Universtät St. Gallen

The conference calls attention to the politics of nature, a key feature of contemporary neoliberalism and its planetary ambitions. Late capitalism has not only wide-ranging effects on the transformation of labor and subjectivities, but is also causing drastic changes in the government of nature. While the “limits-to-growth” environmentalism of the 1960s placed ecology at the center of the intellectual agenda, and the “sustainable development” movement launched in the 80’s replaced old-fashioned notions of nature with “the environment”, the current popularity of the category of the Anthropocene and climate crisis are promoting the grand narrative of an Earth-at-risk.

The purpose of the conference is to stimulate a cross-disciplinary reflection on the “states of nature” that are emerging from discourses centered on the threat of abrupt planetary environmental catastrophes, chronical conditions of ecological vulnerability, strategies of security, survival and adaptation, and the political and poetical imaginary of extinction and mutation. What is the role, responsibility, and complicity of critical theory and the arts in shaping the political and aesthetic reactions to large-scale eco-social devastations? What is the relation between the logic of coloniality and the Anthropocenic political episteme of deep history, unpredictable planetary tipping points, fear and resilience? What are the intellectual and political implications of our current, and conflicting, politics of nature?

Organised by Federico Luisetti and Emmanuel Alloa (School for Humanities and Social Sciences, Universität St. Gallen).

The conference was sponsored by the Universität St. Gallen, Research Committee, in collaboration with the Italian Thought Network


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A grammar built with rocks | Human Resources, Los Angeles

A grammar built with rocks presents artistic practices that trace the racialized and gendered relationship between bodies and land, and question narratives of socioecological crisis that contribute to the displacement and erasure of people and collective formations. With Carmen Argote, Julien Creuzet, DAAR (Decolonizing Architecture Art Residency), Sandra de la Loza, Regina José Galindo, Adam Khalil, Zack Khalil and Jackson Polys, Zara Kuredjian, Uriel Orlow, Gala Porras-Kim, Susan Silton, and Cauleen Smith.


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Soil Affinities | Les Laboratoires d’Aubervilliers, Paris

Soil Affinities presents the fruits of Uriel Orlow’s research residency over 2017 and 2018 in Aubervilliers north of Paris and in West Africa (Senegal and Mali), and returns to Aubervilliers’ 19th century market gardening past which ended when the factories started to take over, around the same time as European countries, including France, began to develop a colonial agriculture in Africa whose roots reach into our post-colonial present.


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Digital Ecologies Chapter One | SKLAD and The Ancient Bath, Center of Contemporary Art, Plovdiv

Art Today Association’s project “Digital Ecologies” is an exhibition that, by employing the means of art, is exploring the interaction between electronic technologies and urban environment in its complexity. The project will have two editions in 2018 and in 2019.

Operaismo Naturale: Ecology of the Event (27 July – 31 August 2018, at SKLAD and at Ancient Bath) is an exhibition accompanied by a series of talks, art interferences and performances.

The concept behind the two editions comes from the project curator, Dimitrina Sevova (Switzerland/Bulgaria), in collaboration with Katharina Swoboda (Austria) and Emil Mirazchiev (Bulgaria).


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Subcontracted Nations | A.M. Qattan Foundation, Ramallah​

Subcontracted Nations is a group exhibition that questions differing concepts of nation. In these times, we are seeing major transformations in these concepts through rhetorical and political discourse across many corners of the globe.

The exhibition draws its title from the proliferation of the processes of sub-contracting found in our world today―whether it is the sub-contracting of health services, or the privatisation of public resources including education. These processes have been instrumental in the fragmentation and compartmentalisation of public services and the diminution of the role and obligations of the state.

Another question the exhibition will pose is how the different forms of neoliberal orders in societies are being kept within socially and economically acceptable limits, in a manner considered optimal for preventing dissent and thus serving to maintain the delusion of social agency. The effects of these neoliberal mechanisms have become intrinsically entrenched in the production of day-to-day relationships, from family to sexual relations, to the status of citizenship and the structure of politics. This imposition of neoliberal mechanisms has contributed in numerous ways to the transformation of the individual through reformatory techniques, pre-designed lifestyles, dependency, and so forth.

Curated by Yazid Anani, featuring works by Ahed Izhiman, Ahmed Hamed, Alexandra Handal, Bashar Alhroub, Bashir Makhoul, Bisan Abu Eisheh, Dirar Kalash, Essa Grayeb, Habib Asal, Iyad Issa, Jonas Staal, Jumana Abboud, Khaled Jarrar, Lara Baladi, Larissa Sansour, Majdi Hadid, Manal Mahamid, May Odeh, Mirna Bamieh, Naeem Mohaiemen, Nida Sinnokrot, Noor Abed, Rima Essa, Sarah Beddington, Sliman Mansour, Taysir Batniji, Uriel Orlow, Vera Tamari, Vladimir Tamari, Waseem Fouad, Yazan Khalili and others.

Imbizo Ka Mafavuke and Theatrum Botanicum book launch | Whitechapel Gallery, London

The London premiere of Orlow’s new film Imbizo Ka Mafavuke (Mafavuke’s Tribunal), will be followed by a discussion between Uriel Orlow, Emily Pethick and Shela Sheikh and the launch of Theatrum Botanicum, published by Sternberg Press, with contributions by Sita Balani, Melanie Boehie, Clelia Coussonet, Karen Flint, Jason Irving, Nomusa Makhubu, Bettina Malcomess, Karin van Marle, Khadija von Zinnenburg Carroll, designed by In the shade of a tree (Samuel Bonnet, Sophie Demay, and Maël Fournier-Comte).


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The London Open 2018 | Whitechapel Gallery, London

The London Open 2018 brings together critical and dynamic art that reflects on the experience of living in a global city now. This triennial open submission exhibition features 22 artists working across painting, sculpture, performance and video. With works by Larry Achiampong, Rachel Ara, Gabriella Boyd, Hannah Brown, Rachael Champion, Gary Colclough, George Eksts, Ayan Farah, French & Mottershead, Vikesh Govind, Richard Healy, Des Lawrence, Tom Lock, Céline Manz, Uriel Orlow, Rachel Pimm, Renee So, Alexis Teplin, Elisabeth Tomlinson, Jonathan Trayte, Tom Varley and Andrea Luka Zimmerman.


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Manifesta 12: The Planetary Garden | Palermo

Throughout history, the city of Palermo has been a laboratory for diversity and cross-pollination.  Continuous migration – from the Ancient Greeks, the Arabs and the Normans to the recent arrival from Northern Africa, South East Asia and the Middle East – has constantly redefined the city and its people. Palermo’s streets, architecture, parks, cultural legacy and personal histories are the result of a long-lasting syncretism of cultures across the Mediterranean and beyond.

Manifesta 12 in 2018 will also dialogue with the ephemeral components of Palermo’s life. Honouring the city’s long tradition of storytelling – or canta storie – through a series of new narrative productions about the city’s hidden networks. Recognising Santa Rosalia procession as a territory of contemporary syncretism, dialogue and celebration. Supporting existing initiatives to provide spaces for public hospitality. Mobilising its rich collection of archives to disclose untold stories on the city and its characters.

New commission presented in exhibition curated by Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, and Mirjam Varadinis. Featuring works by Maria Thereza Alves, Jelili Atiku, Coloco & Gilles Clement, Cooking Sections, John Gerrard, Uriel Orlow, Khalil Rabah, Rotor, Marinella Senatore, Giorgio Vasta and others.


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