Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002.
In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennial prize. He also received the annual major art-award of the City of Zurich in 2015 and three Swiss Art Awards at Art Basel (2008, 2009, 2012) and was shortlisted for the Jarman award in 2013.
In 2020 Archive Books is publishing his monograph Conversing with Leaves, in 2019 Shelter Press published Soil Affinities and in 2018 Sternberg Press published Theatrum Botanicum.
Uriel Orlow’s practice is research-based, process-oriented and multi-disciplinary including film, photography, drawing and sound. He is known for single screen film works, lecture performances and modular, multi-media installations that focus on specific locations and micro-histories and bring different image-regimes and narrative modes into correspondence. His work is concerned with residues of colonialism, spatial manifestations of memory, blind spots of representation and plants as political actors.
Orlow’s work has been presented in many international survey shows including the 54th Venice Biennale (2011), Manifesta 9 and 12, Genk/Palermo (2012, 2018), Kathmandu Triennale 2077 (2022), British Art Show 9 (2021-2002), Thailand Biennale (2021-2022), Vienna Biennale (2021), Riboca 2 – Riga Biennale (2020), Taipei Biennale (2020), Lubumbashi Bienniale (2019), 13th Sharjah Bienniale (2017), 7th Moscow Biennale (2017), EVA Biennale (2016, 2014), 8th Mercosul Biennial, Brazil (2011), Aichi Triennale (2013), and Bergen Assembly (2013) amongst others.
Solo exhibitions in 2020 include Kunsthalle Mainz, La Loge Brussels and State of Concept Athens. Other recent solo exhibitions include Tabakalera, San Sebastian (2019); Kunsthalle Sankt Gallen (2018); Les Laboratoires d’Aubervilliers, Paris (2018); Market Photo Workshop & Pool, Johannesburg (2018) ; PAV – Parco Arte Vivente (2017); Parc Saint Léger (2017), The Showroom, London (2016); Castello di Rivoli, Turin (2015); John Hansard Gallery, Southampton (2015); Depo, Istanbul (2015), Spike Island (2013).
Orlow’s work has also been shown widely in museums and galleries internationally including in London at Tate Modern, Tate Britain, Whitechapel Gallery, ICA and Gasworks; in Paris at Palais de Tokyo, Fondation Ricard, Maison Populaire, Bétonsalon; in Zurich at Kunsthaus, Les Complices, Helmhaus and Shedhalle; in Geneva at Centre d’Art Contemporain and Centre de la Photographie; as well as in Berlin, Ramallah, Marseille, Cairo, Alexandria, Istanbul, Mexico City, Dublin, San Sebastian, New York, Chicago, Toronto, Vancouver and elsewhere.
Orlow’s films have been screened at Oberhausen Short Film Festival; Locarno Film Festival; Videoex, Zurich; Centre Pompidou, Paris; BFI, London; Kino der Kunst, Munich; Visions du Réel, Nyon; Biennale of the Moving Image, Geneva and others.
Orlow’s writing has been published in MIRAJ (Moving Image Review and Art Journal), the Journal of Visual Culture and the Whitechapel /MIT Documents of Contemporary Art series amongst others.
Orlow has taught at art colleges internationally including Goldsmiths, London; Central Saint Martins, London; HEAD – University of the Arts Geneva. He is visiting professor at the Royal College of Art London and is currently Reader (associate professor and senior researcher) at University of Westminster, London and lecturer at ZHdK, the University of the Arts, Zurich.
LUX (Film/Video Distribution)
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Alex Mor / Philippe Charpentier
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COMMISSIONING & INSTITUTIONAL SUPPORT
Al-Ma’mal Foundation for Contemporary Art Jerusalem, Centre culturel suisse Paris, Double agents, Edition Fink Zurich, Fri-Art centre d’art contemporain/Kunsthalle Fribourg, Gasworks London, IFCAR Zurich, Institute of Contemporary Arts (ICA) London, Les Complices* Zurich, Lux, Parc Saint Léger, School of Advanced Study/University of London, Shedhalle Zurich, Showroom London, University of Westminster, Utopiana
Arts Council England, Arts and Humanities Research Council, British Council, City of Zurich, Erna and Curt Burgauer Stiftung, Ernst Göhner Stiftung, Film London Artists Moving Image Network (FLAMIN), Georges and Jenny Bloch Stiftung, George Foundation, Henry Moore Foundation, Ministry of Culture Switzerland, Pro Helvetia Swiss Arts Council, Stanley Thomas Johnson Foundation, University of Westminster, Wellcome Trust
Jumana Emil Abboud, Sylvia Alberton, Oreet Ashery, Anna Barseghian & Stefan Kristensen, Anita Beckers, Lorenzo Bruni, Philippe Charpentier, Yann Chataigné, Anna Colin, Celine Condorelli, Benjamin Cook, Sveva D’Antonio, Ekaterina Degot, Bassam El Baroni, Marcia Farquhar, Andreas Fiedler, Berit Fischer, Stephen Foster, Katya Garcia Anton, Sønke Gau, Joseph Gaylard, Laure Genillard, Patrick Gosatti, Katarina Gregos, Corrado Gugliotta, Margherita Huntley, Russel Hlongwane, Andrew Ingall, Mia Jankowicz, Mikhail Karikis, Lara Khaldi, Bénédicte le Pimpec, Catalina Lozano, Felicity Lunn, Ruth Maclennan, Peter Makarube, Bettina Malcomess, Lindiwe Matshikiza, Alex Mor, Jack Persekian, Emily Pethick, Hans-Rudolf Reust, David Riff, Frances Rifkin, José Roca, Monica Ross, Eva Rowson, Christoph Schenker, Katharina Schlieben, Hebba Sherif, Samora Sekhukhune, Cherry Smyth, Marie-Claude Stobart, Noah Stolz, Alexia Tala, Anne Tallentire, Gilane Tawadros, Andrea Thal, Isaline Vuille, Amy Watson, Ian White, Sarah Zürcher, Tirdad Zolghadr – and many more.