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5 May ’23 – 22 Oct ’23

Parlament of Plants II | Kunstmuseum Liechtenstein
Uriel Orlow, Reading Wood (Backwards)

The exhibition Parliament of Plants II  testifies to a new view of plants, which are inextricably linked with our own survival, with works by Polly Apfelbaum, Ursula Biemann, Anna Hilti, Alevtina Kakhidze, Jochen Lempert, Rivane Neuenschwander & Mariana Lacerda, Uriel Orlow, Silke Schatz, Thomas Struth, Athena Vida, Miki Yui, Zheng Bo. Over the past decades, a paradigm shift has been taking place in the sciences regarding our perception of plants, one that is also reflected in the exhibition’s artworks. Parliament of Plants II demonstrates the principle of symbiosis as a societal counter-image to the parasitic handling of nature. New insights regarding the world of plants feature alongside knowledge of Indigenous cultures, questions pertaining to colonial and contemporary history, the handling of resources or our perception of time. The crucial question is: how can we achieve a symbiotic coexistence in which human and non-human beings can learn from each other? The main themes of two ‘raised stands’ are Michel Serres’ Natural Contract and Lynn Margulis’ theory of symbiosis. Co-curated by Christiane Meyer-Stoll with Hans-Jörg Rheinberger, molecular biologist and historian of science.

The exhibition includes two inserts, a project space in the side-light gallery and a wide range of further collaborations and cooperations: Insert I: Politics of Plants
curated by Linda Schädler, head of ETH’s Prints and Drawings Collection, Zurich, with works by Mireille Gros, Matthew Day Jackson, Monica Ursina Jäger, Daniela Keiser, Pascal Schwaighofer, Melanie Smith, Sebastian Utzni. Insert II: Plants_Intelligence. Learning like a Plant, a research project at the Institute Art Gender Nature, Academy of Art and Design FHNW, Basel, with the support of the Swiss National Science Foundation with works by Felipe Castelblanco, Julia Mensch, Rasa Smite, Raitis Smits.


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27 Jun ’26 – 31 Jul ’26

Ground Zero | MMASC, Amarante, Portugal

Ground Zero takes the ground as its starting point—a place where memories are inscribed, narratives are brought to life, and new beginnings are envisioned. The works invite a sensitive and critical examination of historical legacies, social and ecological issues, and the possibilities for transformation, suggesting a space for reflection, regeneration, and collective creation.

Group exhibition curated by Black Atlas, with works by Catarina Leitão, Cristina Ataíde, Jermay Michael Gabriel, Marcelo Moscheta, Mónica de Miranda, Nii Obodai, Nithya Iyer, Susana Anángua, Marta Machado and Sofia Yala


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5 Jun ’26 – 25 Jul ’26

Small Wonders: Reimagining British Art | Williamson Art Gallery & Museum, London

In 1951, the Festival of Britain acted as a beacon of post-war hope, launching a landmark touring exhibition that brought world-class art to local museums and art centres across the UK. Seventy-five years later, Hayward Gallery Touring honours this legacy with Small Wonders: Reimagining British Art, a contemporary reimagining of that original vision.

The exhibition brings together 50 acclaimed artists who have participated in the British Art Show – the UK’s definitive five-year curated survey of contemporary art – since its inception in 1979. Taking inspiration from Marcel Duchamp’s Boîte-en-valise – a “portable museum” contained within a suitcase – each artist has created a new, small-scale work that responds to their original British Art Show presentation. The result is a condensed yet expansive overview of a half-century of British art history.

With works by Abake, Tomma Abts, Caroline Achaintre, Simeon Barclay, Zarina Bhimji, Kathrin Böhm, Frank Bowling, Pablo Bronstein, Andrea Büttner, Varda Caivano, Ergin Çavuşoğlu, Michael Craig-Martin, Nicholas Deshayes, Mandy El-Sayegh, Doug Fishbone, Martino Gamper, and many others.


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16 Jun ’26

SIBYLLA | Art Basel, Switzerland

SIBYLLA unfolds as an exhibition, curated by Sónia Taborda and Joerg Bader, that evokes the Latin name as a way of thinking about human connection beyond time.

A performance by Uriel Orlow unfolds in parallel with his presentation at the Giardini of La Biennale di Venezia, extending its conceptual and sensory inquiry into the context of Basel.

Developed in collaboration with Maria João Pires and Martin Masan, music curators of the project, the work takes place in the garden, where musicians perform with and for plants, activating a subtle dialogue between human and more-than-human forms of listening.

Date and Location
Tuesday June 16, 2026
6 pm
Gellertgut Park
Gellertstrasse 33
4052 Basel


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9 May ’26 – 14 Jun ’26

Mangoes & Meaning | Museum of Goa, India

Uriel Orlow is presenting Mangoes of Goan Origin (An Archive) as part of the group show Mangoes and Meaning: Histories, Ecologies and Cultural Imagination at Museum of Goa.

Expect to encounter the mango in ways you may not have before. After all, this isn’t just any fruit-it’s aam, the common thread that connects us all. This exhibition brings together personal, cultural, ecological, and communal perspectives, reflecting on what it means to grow a mango, to sit in the shade of its tree, to share it with neighbours, and to spend long summers in its presence. The exhibition explores how this fruit becomes a symbol of place, of season, and of belonging.


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27 Apr ’26 – 30 May ’26

Ground Zero | SNBA, Lisbon, Portugal

Ground Zero takes the ground as its starting point—a place where memories are inscribed, narratives are brought to life, and new beginnings are envisioned. The works invite a sensitive and critical examination of historical legacies, social and ecological issues, and the possibilities for transformation, suggesting a space for reflection, regeneration, and collective creation.

Group exhibition curated by Black Atlas, with works by Catarina Leitão, Cristina Ataíde, Jermay Michael Gabriel, Marcelo Moscheta, Mónica de Miranda, Nii Obodai, Nithya Iyer, Susana Anángua, Marta Machado and Sofia Yala


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