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Fold II: Digital Dramatisations: Ecologies from the Future

Across two exhibition venues, the Centre for Contemporary Art ‘Ancient Bath’ and the former tobacco warehouse SKLAD in Plovdiv, Bulgaria.

With works by Donatella Bernardi, Ursula Biemann, Luchezar Boyadjiev, Johanna Bruckner, Sarah Burger, Delphine Chapuis Schmitz, Valko Chobanov, Voin de Voin & Marie Civikov, Jonas Etter, Anne-Laure Franchette, Monica Ursina Jäger, Stefanie Knobel, Marlene Maier, Boyan Manchev with Ani Vaseva and Leonid Yovchev (Metheor), Emil Mirazchiev, Uriel Orlow, Ursula Palla, Lourenço Penaguião Soares, Elodie Pong, Oliver Ressler, Tabita Rezaire, Dorothea Rust, Elza Sile, Kerstin Schroedinger, Pascal Schwaighofer, Venelin Shurelov, Sandro Steudler, Kamen Stoyanov, Milva Stutz, Katharina Swoboda, Una Szeemann / Bohdan Stehlik, Riikka Tauriainen, Lena Maria Thüring, Alexander Tuchaček, Borjana Ventzislavova, and Martina-Sofie Wildberger.

With interventions and talks by the philosophers Boyan Manchev, Stanimir Panayotov, and Gerald Raunig.

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Tip of the Iceberg | Focal Point Gallery Southend

This exhibition explores the relationship between art and alternative growing practices, which are increasingly coming together in pursuit of climate action and social justice. New and recent works by local and international artists explore three key themes: the notion of the ‘commons’, i.e. our common right to the earth’s natural resources (air, water, soil, land); how plants can be considered as both witnesses and agents across history, and how local hidden economies can act as catalysts for wider change. With works by Shaun C. Badham, Becky Beasley, Kathrin Böhm, Graham Burnett, Gabriella Hirst with Warren Harper, Anna Lukala, Mary Mattingly, Uriel Orlow, Rachel Pimm, Alida Rodrigues, Zheng Bo


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Potential Agrarianisms | Kunsthalle Bratislava

Potential Agrarianisms sets out to diversify agriculture and pluralise its histories, recovering suppressed peasant pasts and activating their unrealised possibilities, destabilising urban-rural dichotomies, repairing the disconnect with the natural world and restoring caring and reciprocal relationships to the soils and plants that nourish us. Curated by Maja and Reuben Fowkes with work by Melanie Bonajo, Gerard Ortin Castellví, Anetta Mona Chişa, Annalee Davis, Ferenc Gróf with Jean-Baptiste Naudy, Oto Hudec, Marzia Migliora, MyVillages, Ilona Németh, Uriel Orlow, Prabhakar Pachpute, Alicja Rogalska.


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What the eyes cannot see | Kunsthaus Dresden

The exhibition What the eyes cannot see, the heart cannot feel is dedicated to the coexistence of humans with their natural environment. Around the world, landscapes and ecosystems have been and are still being changed by human interventions, while languages and cultural techniques have evolved in direct response to landscapes, plants and soils. Curated by Christiane Mennicke-Schwarz, Vincent Schier with work by Aline Baiana, Minia Biabiany, Kadija de Paula & Chico Togni in collaboration with FELL, Patricia Esquivias, Andreas Kempe, Antje Majewski, Silvia Noronha, Uriel Orlow, Lois Weinberger


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British Art Show 9 | Aberdeen Art Gallery

The British Art Show is a landmark touring exhibition that celebrates the vitality of recent art made in Britain. British Art Show 9 was developed at a precarious moment in Britain’s history that has brought politics of identity and nation, concerns of social, racial and environmental justice, and questions of agency to the centre of public consciousness. The artists presented in the exhibition respond in critical ways to this complex context; imagining more hopeful futures and exploring new modes of resistance.

BAS9 is curated by Irene Aristizábal and Hammad Nasar and includes work by over 40 artists.


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Extractive Zones | Museum der Kulturen Basel

Human-environment relations are radically changing through the interventions of extractive industries and knowledge technologies. Against this background, the exhibition tests the critical dialogue between contemporary art and museum artifacts. Curated by Liliana Gómez, in cooperation with the University of Zurich, University of Kassel and the Documenta Institute.


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