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7 Jul ’17 – 13 Nov ’17

Document Bilingue | Mucem, Marseille

Following the residencies and preparatory workshops that began in 2015, artists and researchers are presenting an unprecedented rousing of the Mucem’s collections through Bilingual document: a dual exhibition presented at Fort SaintJean and the Centre for Conservation and Resources, featuring a sound walk that links the two sites and a book.

The Mucem houses in its reserves the collections from the former Musée National des Arts et Traditions Populaires, created in 1937 by Georges Henri Rivière. Artisanal or preindustrial vestiges of a bygone era, the objects assembled here are the bounty of methodical collections conducted during field surveys, enriched by objects acquired since the opening of the museum. The question of the dual nature of the object, split between popular art and scientific discourse, was at the heart of Rivière’s project. But what about these collections now dormant in the Mucem’s reserves? An uneasy feeling seizes visitors at the sight of these curious and sometimes obsolete time capsules. While a few objects may be called upon for a specific exhibition, how can we mobiliser the collection in a more general way within the framework of a museum of civilisation? How can we activate a document, even make it perform, by reflecting its bilingual nature: an object with an aesthetic or poetic status, while also testifying to its ethnographic value? Could art be, paradoxically, the way of reviving these trophies?

Including works by Jean-François Chougnet, Yo Barrada, Omar Berrada and M’barek Bouhchichi, Jean-Roch Bouiller, Marie-Charlotte Calafat, Erik Bullot, Sabrina Grassi, Yaël Kreplak, Franck Leibovici, Florent Molle, Uriel Orlow, Abril Padilla and Pascal Riviale.

Curated by Sabrina Grassi and Guest Curator Erik Bullot


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27 Jun ’26 – 31 Jul ’26

Ground Zero | MMASC, Amarante, Portugal

Ground Zero takes the ground as its starting point—a place where memories are inscribed, narratives are brought to life, and new beginnings are envisioned. The works invite a sensitive and critical examination of historical legacies, social and ecological issues, and the possibilities for transformation, suggesting a space for reflection, regeneration, and collective creation.

Group exhibition curated by Black Atlas, with works by Catarina Leitão, Cristina Ataíde, Jermay Michael Gabriel, Marcelo Moscheta, Mónica de Miranda, Nii Obodai, Nithya Iyer, Susana Anángua, Marta Machado and Sofia Yala


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5 Jun ’26 – 25 Jul ’26

Small Wonders: Reimagining British Art | Williamson Art Gallery & Museum, London

In 1951, the Festival of Britain acted as a beacon of post-war hope, launching a landmark touring exhibition that brought world-class art to local museums and art centres across the UK. Seventy-five years later, Hayward Gallery Touring honours this legacy with Small Wonders: Reimagining British Art, a contemporary reimagining of that original vision.

The exhibition brings together 50 acclaimed artists who have participated in the British Art Show – the UK’s definitive five-year curated survey of contemporary art – since its inception in 1979. Taking inspiration from Marcel Duchamp’s Boîte-en-valise – a “portable museum” contained within a suitcase – each artist has created a new, small-scale work that responds to their original British Art Show presentation. The result is a condensed yet expansive overview of a half-century of British art history.

With works by Abake, Tomma Abts, Caroline Achaintre, Simeon Barclay, Zarina Bhimji, Kathrin Böhm, Frank Bowling, Pablo Bronstein, Andrea Büttner, Varda Caivano, Ergin Çavuşoğlu, Michael Craig-Martin, Nicholas Deshayes, Mandy El-Sayegh, Doug Fishbone, Martino Gamper, and many others.


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16 Jun ’26

SIBYLLA | Art Basel, Switzerland

SIBYLLA unfolds as an exhibition, curated by Sónia Taborda and Joerg Bader, that evokes the Latin name as a way of thinking about human connection beyond time.

A performance by Uriel Orlow unfolds in parallel with his presentation at the Giardini of La Biennale di Venezia, extending its conceptual and sensory inquiry into the context of Basel.

Developed in collaboration with Maria João Pires and Martin Masan, music curators of the project, the work takes place in the garden, where musicians perform with and for plants, activating a subtle dialogue between human and more-than-human forms of listening.

Date and Location
Tuesday June 16, 2026
6 pm
Gellertgut Park
Gellertstrasse 33
4052 Basel


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9 May ’26 – 14 Jun ’26

Mangoes & Meaning | Museum of Goa, India

Uriel Orlow is presenting Mangoes of Goan Origin (An Archive) as part of the group show Mangoes and Meaning: Histories, Ecologies and Cultural Imagination at Museum of Goa.

Expect to encounter the mango in ways you may not have before. After all, this isn’t just any fruit-it’s aam, the common thread that connects us all. This exhibition brings together personal, cultural, ecological, and communal perspectives, reflecting on what it means to grow a mango, to sit in the shade of its tree, to share it with neighbours, and to spend long summers in its presence. The exhibition explores how this fruit becomes a symbol of place, of season, and of belonging.


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27 Apr ’26 – 30 May ’26

Ground Zero | SNBA, Lisbon, Portugal

Ground Zero takes the ground as its starting point—a place where memories are inscribed, narratives are brought to life, and new beginnings are envisioned. The works invite a sensitive and critical examination of historical legacies, social and ecological issues, and the possibilities for transformation, suggesting a space for reflection, regeneration, and collective creation.

Group exhibition curated by Black Atlas, with works by Catarina Leitão, Cristina Ataíde, Jermay Michael Gabriel, Marcelo Moscheta, Mónica de Miranda, Nii Obodai, Nithya Iyer, Susana Anángua, Marta Machado and Sofia Yala


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