Propositions for a stage: 24 frames of a beautiful heaven looks to the limits of time and the possibilities for time’s staging. Here the idea of ‘staging’ refers both to artists’ use of performance and questions of time as haunting, as stasis, as a looping repetition. This experience of time is most familiar to us through its presentation in forms of theatre and, most particularly, film, where the mechanical structure of analogue film suggests the idea of both continuous and discontinuous temporalities. The stage, set and scene provide us with a space-time apart from the everyday: a speculative world. If we think of the filmstrip as a series of discrete frames that might be chopped up, rearranged and layered then time might not always run forward but instead be characterised by stops and breaks where the past leaks into the present and the future.
Curated by Dr. Bridget Crone, including works by Amanda Beech, Zach Blas, Rabih Mroué, Uriel Orlow and Ming Wong.
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