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Person: Karan Shrestha

The Promise of Grass / The Gift of Dispossession | 5th Mardin Biennial, Turkey

Group exhibition curated by Adwait Singh with works by Abdessamad El Montassir, Almagul Menlibayeva, Asunción Molinos Gordo, Bhagwati Prasad, Bouba Touré with Raphaël Grisey, Deniz Uster with Burcu Yağcıoğlu, Bint Mbareh, E.B. Itso, Fatoş Irwen, Gülsün Karamustafa, İpek Hamzaoğlu, Jonas Staal, Kamen Stoyanov, Karan Shrestha, Kathyayini Dash, Lara Ögel, Marwa Arsanios, Merve Ünsal, Mikhail Karikis, Nandita Kumar, Neda Saeedi, Nejbir Erkol, Ömer Pekin, Rakhi Peswani, Ritu Sarin and Tenzing Sonam, Sasha Huber, Selma Gürbüz , Server Demirtaş, Sibel Horada, Thukral and Tagra, Uriel Orlow, Zahra Malkani.

With a focus on the Levant — the cradle of civilisation — and its allied geographies along the ancient silk route, the exhibition will see a gathering of over 30 artists from Turkey and beyond, representing around 25 countries. Their works bring the edaphic generosity of the region as well as its syncretic bindings to bear upon its fraught present. Spread across four main venues in the old town, with a few spill-overs, the exhibition will open to the public free of charge from 20 May onwards. Through the course of the exhibition border_less, an independent archiving and publishing platform, will be keeping a cosy reading space at Sahaf Kebikeç for those who seek an extended engagement with the exhibition contents.


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Kathmandu Triennale 2077 | Nepal Art Council, Kathmandu

Set to be the largest presentation of contemporary art in Nepal to date, KT 2077 is curated by Artistic Director Cosmin Costinas and Co-Curators Sheelasha Rajbhandari and Hit Man Gurung. The Triennale is informed by discourses of decolonisation, migration and displacement, indigenous knowledge, and redefining the parameters of art beyond a Eurocentric canon. It will discuss appropriate frameworks of understanding and bring together the multiple aesthetic and cosmological lineages active today.

The 2022 edition is curated by Nepalese artists and cultural organisers Hit Man Gurung and Sheelasha Rajbhandari, working with director Sharareh Bajracharya and artistic director Cosmin Costinas, and will include work by more than one hundred artists representing about forty countries.


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Yinchuan Biennale | MOCA Yinchuan

The second Yinchuan Biennale “Departing from the Desert – Ecology on the Border” is conceived with the aim of measuring itself against a specific geo-historic context, and proposed as a form of minor language within the biennale system, Starting from the Desert seeks to respond to contemporary urgencies (not only in China) by adopting an “archaeological method.”

The Biennale’s framework is articulated over four, interdependent (and often overlapping) thematic areas that, without seeking to limit or circumscribe, attempts to visualize their material and immaterial aspects: Nomadic Space and Rural Space, Labor-in-Nature and Nature-in-Labor, The Voice and The Book, Minorities and Multiplicity .

Curated by Marco Scotini, with Andris Brinkmanis, Paolo Caffoni, Zasha Colah, and Lu Xinghua. With works by over 80 artists including Can Altay, Said Atabekov, Erick Beltrán, Alighiero Boetti, Filipa César, Emory Douglas, Duan Zengqu, Miriam Ghani, Raphaël Grisey, Silima Hashimi, Kiluanji Kia Henda, Hiwa K, Li Fenglen, Liu Ding, Adrien Missika, Pedro Neves Marques, Uriel Orlow, Kyong Park, Marjetica Potrč, Song Dong, Zheng Bo and others.


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