As Michel Foucault says, “the theory of natural history can not be dissociated from that of language.” In any culture, naming things means dominating them, as in law, the legal act of naming is an exclusive prerogative of the person who has power over it. This solo exhibition take shape from the artist’s research between Europe and South Africa. European colonialism was preceded and flanked by important botanical expeditions. The aim was to explore and classify the new territories and their natural resources, thus paving the way for employment and exploitation. Through films, photographs, installations and sound projects, the artist outlines a scenario that focuses on the idea of the botanical world as a stage for complex and articulate political dynamics.
Curated by Marco Scotini
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