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Tree Story | MUMA, Melbourne

Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenous ways of knowing and a recognition of trees as our ancestors and family. An exhibition, publication and podcast series, Tree Story takes inspiration from the underground networks, information sharing and mutual support understood to exist within tree communities, and poses the question: what can we learn from trees and the importance of Country? Curated by Charlotte Day and Dr Brian Martin.


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What the eyes cannot see | Kunsthaus Dresden

The exhibition What the eyes cannot see, the heart cannot feel is dedicated to the coexistence of humans with their natural environment. Around the world, landscapes and ecosystems have been and are still being changed by human interventions, while languages and cultural techniques have evolved in direct response to landscapes, plants and soils. Curated by Christiane Mennicke-Schwarz, Vincent Schier with work by Aline Baiana, Minia Biabiany, Kadija de Paula & Chico Togni in collaboration with FELL, Patricia Esquivias, Andreas Kempe, Antje Majewski, Silvia Noronha, Uriel Orlow, Lois Weinberger


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British Art Show 9 | Aberdeen Art Gallery

The British Art Show is a landmark touring exhibition that celebrates the vitality of recent art made in Britain. British Art Show 9 was developed at a precarious moment in Britain’s history that has brought politics of identity and nation, concerns of social, racial and environmental justice, and questions of agency to the centre of public consciousness. The artists presented in the exhibition respond in critical ways to this complex context; imagining more hopeful futures and exploring new modes of resistance.

BAS9 is curated by Irene Aristizábal and Hammad Nasar and includes work by over 40 artists.


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Extractive Zones | Museum der Kulturen Basel

Human-environment relations are radically changing through the interventions of extractive industries and knowledge technologies. Against this background, the exhibition tests the critical dialogue between contemporary art and museum artifacts. Curated by Liliana Gómez, in cooperation with the University of Zurich, University of Kassel and the Documenta Institute.


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