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The International Short Film Festival Oberhausen | Oberhausen, Germany

In its 2017 Theme programme the International Short Film Festival Oberhausen looks at the history of utopian hope universally pronounced to be dead in our present day and age

“Why we’re losing the Internet to the culture of hate”, the cover of the August 2016 issue of Time magazine read. Ever since Donald Trump won the US elections, the prevalent topic of discussion is whether the internet is a failed utopia. But exactly what kind of utopia is this and what types of participatory media existed before the internet? In its Theme programme ‘Social media before the internet’, curated by Tilman Baumgärtel, Oberhausen will look at pre-digital forms of media by everyone for everyone and ask whether current developments were already foreshadowed in the early media experiments and what these can contribute to a re-assessment of our current situation.

Curated by Tilman Baumgärtel, including works by Yi Cui, Chai Siris, Zhong Su, Ayo Akingbade, Amber Bemak, Nadia Granados, Boris Poljak, Ivan Jose Murgic Capriotti, Sofia Lena Monardo, Zhong Su, Ico Costa, Hao Jingban, Philippa Ndisi-Herrmann, Katie Davies, Jovana Reisinger, Ulu Braun, Laurentia Genske, Uriel Orlow, Tim Nowitzki, Kerstin Honeit, Markus Mischkowski, Kai Maria Steinkühler, Moïra Himmelsbach, Eszter Jánka, Dean Ruddock, Aude Cuenod, Martin Turk, John Sheedy, Antoneta Kusijanović, Naghmeh Farzaneh, Claire Randall, Egil Pedersen, Christoph Girardet, DJ Hell, Zeljko Vidovic, and Mariola Brillowska


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Garden of Earthly Delights | Gropius Bau, Berlin

In this large-scale group exhibition, artists including Pipilotti Rist, Rashid Johnson, Maria Thereza Alves, Uriel Orlow, Jumana Manna, Taro Shinoda and Heather Phillipson interpret the motif of the garden as a metaphor for the state of the world and as a poetic expression to explore the complexities of our increasingly precarious world. Their artworks open up a wider discourse on social, political and ecological phenomena, such as migration, gentrification and gender politics. In addition to common understanding of the garden as a place of yearning full of meditative, spiritual and philosophical possibilities, the exhibition will tread the line between reality and fantasy, harmony and chaos, beauty and exile.

External link here

Focus: Uriel Orlow | VideoEx, Zurich

Videoex, the largest Experimental Film & Video Festival in Switzerland, is celebrating its 21st edition this year. A special programme on the 26th and 30th of May focused on the work of Uriel Orlow will be screened.

Sunday 26.05. 17:45
CH-Fokus Uriel Orlow I
Theatrum Botanicum

Thursday 30.05. 21:15
CH-Fokus Uriel Orlow II
The Future is History /
History is the Future

Sunday 26.05. 20:00
Talk with the artist

External link here

Fold II: Digital Dramatisations: Ecologies from the Future

Across two exhibition venues, the Centre for Contemporary Art ‘Ancient Bath’ and the former tobacco warehouse SKLAD in Plovdiv, Bulgaria.

With works by Donatella Bernardi, Ursula Biemann, Luchezar Boyadjiev, Johanna Bruckner, Sarah Burger, Delphine Chapuis Schmitz, Valko Chobanov, Voin de Voin & Marie Civikov, Jonas Etter, Anne-Laure Franchette, Monica Ursina Jäger, Stefanie Knobel, Marlene Maier, Boyan Manchev with Ani Vaseva and Leonid Yovchev (Metheor), Emil Mirazchiev, Uriel Orlow, Ursula Palla, Lourenço Penaguião Soares, Elodie Pong, Oliver Ressler, Tabita Rezaire, Dorothea Rust, Elza Sile, Kerstin Schroedinger, Pascal Schwaighofer, Venelin Shurelov, Sandro Steudler, Kamen Stoyanov, Milva Stutz, Katharina Swoboda, Una Szeemann / Bohdan Stehlik, Riikka Tauriainen, Lena Maria Thüring, Alexander Tuchaček, Borjana Ventzislavova, and Martina-Sofie Wildberger.

With interventions and talks by the philosophers Boyan Manchev, Stanimir Panayotov, and Gerald Raunig.

External link here