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19 May ’22 – 21 Jun ’22

Teg bët gëstu gi | 14th Dakar Biennale

Group exhibition curated by El Hadj Malick Ndiaye and Emmanuelle Cherel with projects by Hervé Youmbi, Ibrahima Thiam, Uriel Orlow / Ariane Leblanc, Alioune Diouf, Patrick Bernier / Olive Martin, Ussumane Ca, Vincent Meessen, François Knoetze and Mamadou Khouma Gueye.
Teg Bët Gëstu Gi aims to stir up the metamorphic life of objects. Teg Bët Gëstu Gi in Wolof means ‘to see or touch with the eyes’ – research. Uriel Orlow’s new commission ‘Botanique de la more, botanique de la vie’ consists of a video and a garden and engages with artefacts from the collection of the Musée Theodore Monod which are intimately connected with plants: woven baskets used to collect plants, mortar and pestle used to process leaves and roots for medicinal use or sachets of plants worn by warriors to bring them luck… Objects that testify to our entanglement with the vegetal world and that evoke the spiritual and medicinal powers of plants.

Uriel Orlow exhibits for the first time the commissioned work Botany of Death, Botany of Life (video, 2020-2022). Outside the museum walls, in the garden, we encounter Botany of Care, a medicinal garden project conceived and developed jointly by Uriel Orlow and Ariane Leblanc.


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9 May ’26 – 14 Jun ’26

Mangoes & Meaning | Museum of Goa, India

Uriel Orlow is presenting Mangoes of Goan Origin (An Archive) as part of the group show Mangoes and Meaning: Histories, Ecologies and Cultural Imagination at Museum of Goa.

Expect to encounter the mango in ways you may not have before. After all, this isn’t just any fruit-it’s aam, the common thread that connects us all. This exhibition brings together personal, cultural, ecological, and communal perspectives, reflecting on what it means to grow a mango, to sit in the shade of its tree, to share it with neighbours, and to spend long summers in its presence. The exhibition explores how this fruit becomes a symbol of place, of season, and of belonging.


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27 Apr ’26 – 30 May ’26

Ground Zero | SNBA, Lisbon, Portugal

Ground Zero takes the ground as its starting point—a place where memories are inscribed, narratives are brought to life, and new beginnings are envisioned. The works invite a sensitive and critical examination of historical legacies, social and ecological issues, and the possibilities for transformation, suggesting a space for reflection, regeneration, and collective creation.

Group exhibition curated by Black Atlas, with works by Catarina Leitão, Cristina Ataíde, Jermay Michael Gabriel, Marcelo Moscheta, Mónica de Miranda, Nii Obodai, Nithya Iyer, Susana Anángua, Marta Machado e Sofia Yala


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