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Subcontracted Nations | A.M. Qattan Foundation, Ramallah​

Subcontracted Nations is a group exhibition that questions differing concepts of nation. In these times, we are seeing major transformations in these concepts through rhetorical and political discourse across many corners of the globe.

The exhibition draws its title from the proliferation of the processes of sub-contracting found in our world today―whether it is the sub-contracting of health services, or the privatisation of public resources including education. These processes have been instrumental in the fragmentation and compartmentalisation of public services and the diminution of the role and obligations of the state.

Another question the exhibition will pose is how the different forms of neoliberal orders in societies are being kept within socially and economically acceptable limits, in a manner considered optimal for preventing dissent and thus serving to maintain the delusion of social agency. The effects of these neoliberal mechanisms have become intrinsically entrenched in the production of day-to-day relationships, from family to sexual relations, to the status of citizenship and the structure of politics. This imposition of neoliberal mechanisms has contributed in numerous ways to the transformation of the individual through reformatory techniques, pre-designed lifestyles, dependency, and so forth.

Curated by Yazid Anani, featuring works by Ahed Izhiman, Ahmed Hamed, Alexandra Handal, Bashar Alhroub, Bashir Makhoul, Bisan Abu Eisheh, Dirar Kalash, Essa Grayeb, Habib Asal, Iyad Issa, Jonas Staal, Jumana Abboud, Khaled Jarrar, Lara Baladi, Larissa Sansour, Majdi Hadid, Manal Mahamid, May Odeh, Mirna Bamieh, Naeem Mohaiemen, Nida Sinnokrot, Noor Abed, Rima Essa, Sarah Beddington, Sliman Mansour, Taysir Batniji, Uriel Orlow, Vera Tamari, Vladimir Tamari, Waseem Fouad, Yazan Khalili and others.

Critical Zones| ZKM, Karlsruhe

For a long time the reactions of Earth to our human actions remained unnoticed, but in recent times with the protest movement Fridays for Future climate crisis has moved into public consciousness. The thought exhibition »CRITICAL ZONES« invites us to deal with the CRITICAL situation of the Earth in various ways and to explore new modes of coexistence between all forms of life. Curatorial Team: Bruno Latour, Peter Weibel, Martin Guinar, Bettina Korintenberg

 


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Garden of Six Seasons| Para Site, Hong Kong

Group exhbition curated by Cosmin Costinas with works by Pacita Abad, Korakrit Arunanondchai, Bibhusan Basnet & Pooja Gurung, Chang En-ManMae ClarkMary Dhapalany, Patrizio Di Massimo, Izmail EfimovNaufus Ramirez Figueroa, Charles GainesDominique Gonzalez-Foerester, Julia Mage’au GraySheroanawe HakihiiweHao LiangAndrew Thomas Huang, Hung Fai & Wai Pong YuSudhira Karna, Vvzela Kook, Emma KunzLam Tung Pang, Liu Chuang, Liu Kuo-Sung, Madhumala MandalRebati Mandal, Britta Marakatt-Labba, Ana MendietaPavel MikushevJ.D. ‘Okhai Ojeikere, Uriel Orlow, Pan Lu & Bo Wang, Antonio Pichilla, John PuleKomal Purbe, Ashmina Ranjit, Citra Sasmita, Ekaram SinghSo Wing Po, Katerina Teaiwa, Batsa Gopal Vaidya, Brittney Leeanne Williams, and Trevor Yeung

Garden of Six Seasons is a precursor to the Kathmandu Triennale 2077 (Artistic Director: Cosmin Costinas, Curators: Sheelasha Rajbhandari and Hit Man Gurung).


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Games.Fights.Encounters | OnCurating Space, Zurich

A group exhibition directly concerned with taking up political positions and engaging in interventions, ground work and various forms of activism. With works by Paloma Ayala, Baltensperger + Siepert, Daniela Brugger, Luke Ching, Chto Delat, Enar de Dios Rodríguez, Harun Farocki, Jeff Hong, Marc Lee, Yoshinori Niwa, Dima Nechawi, Mohamad Omran, Uriel Orlow, Ursula Palla, ” le peuple qui manque – a people is missing (Kantuta Quiros, Aliocha Imhoff), Robert Schlicht + Romana Schmalisch, Jonas Staal.

And with participation of the activist and cultural groups: Architecture for Refugees Schweiz, Autonome Schule Zürich, The Creative Memory of The Syrian Revolution, Love Lazers, Libreria delle Donne, foodwaste.ch/OGG Bern, Progetto Oreste, Stadtlücken, Video Activism, Warsaw Biennial, Who writes his_tory ?, The Media Office of Kafranbel.


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Learning from Artemisia | La Loge, Brussels

Solo exhibition.

In Learning from Artemisia at La Loge, Orlow explores plant healing and global power relations through Artemisia afra, the African wormwood, an indigenous medicinal plant cultivated in the Democratic Republic of the Congo, alongside other African countries, and used for the treatment of malaria. Despite its proven effectiveness and simplicity, the World Health Organization does not recommend the use of this plant material, in any form, including tea, for the treatment or the prevention of malaria.


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Leave no Stone unturned | Le Cube, Rabat

Leave No Stone Unturned [Remuer la terre] is a collective exhibition, curated by Clelia Coussonnet, that highlights the links between plants and politics in Morocco and other countries of the global South, while rejecting the idea that nature is ornamental and neutral. By scratching the visible surface to plunge into the interstices and gaps of history, the selected works show plants are intertwined in power networks and suffer from the paradox of being knowledge resources simultaneously accessible and subjected to processes of invisibility. While human impact on climate and environmental change is increasingly discussed in public and scientific debates, still few institutions and individuals explore in depth the largely underestimated relations between plants and politics. Flora is indeed an actor, a pawn and a witness of History, revealing narratives forgotten and eluded by official history’s records.


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Conversing with Leaves | Kunsthalle Mainz

Conversing with Leaves at Kunsthalle Mainz

A survey exhibition which brings together Theatrum Botanicum, Soil Affinities, Wishing Trees and Learning from Plants. Trees as actors in history, the migration of flowers, and medicinal plants testifying to neo-extractivism – these are some of the themes that Uriel Orlow pursues in his research-based art. Concrete circumstances and developments invariably form the basis of his multi-layered, multi-media works. In recent years his attention has mainly focused on entanglements between the African continent and Europe. Plants are both the narrators and protagonists here, anchoring all the events in the present day. For his solo show at Kunsthalle Mainz the artist has developed a route through the exhibition that takes visitors room by room from the origins of colonialism via the anti-apartheid movement through to contemporary concerns.


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