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“Reprendre”? | Centre Pompidou, Paris

The question of the restitution of patrimonial objects is currently hotly debated in a world which is a return to the European colonial past and which questions the origin of extra-European objects torn from their original context, as well as their exposure patterns in the West. Director Susan Vogel , an expert on African art, recounts the fast-paced and tragically burlesque journey of a Fang statuette through the 20th century, since its delivery to the West. In his film The Visitor (2007), the Swiss artistUriel Orlow goes to meet Oba Erediauwa, then king of Benin, to question him on the need to repatriate or not the famous bronzes of Benin preserved in the British Museum. Finally, the Senegalese videographerFatou Kandé Senghor films a Casamance artist-ceramist, Seni Camara, whose ancestral know-how is threatened with extinction.These different films help to question the fate and transmission of confiscated objects, all too often dedicated to museification alone. 

Uriel Orlow’s film The Visitor is screened alongside Fatou Kande Senghor’s work Giving Birth, and Susan Vogel’s film, Fang: An Epic Journey, followed by an in-conversation with curator Alicia Knock


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A grammar built with rocks | Human Resources, Los Angeles

A grammar built with rocks presents artistic practices that trace the racialized and gendered relationship between bodies and land, and question narratives of socioecological crisis that contribute to the displacement and erasure of people and collective formations. With Carmen Argote, Julien Creuzet, DAAR (Decolonizing Architecture Art Residency), Sandra de la Loza, Regina José Galindo, Adam Khalil, Zack Khalil and Jackson Polys, Zara Kuredjian, Uriel Orlow, Gala Porras-Kim, Susan Silton, and Cauleen Smith.


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Soil Affinities | Les Laboratoires d’Aubervilliers, Paris

Soil Affinities presents the fruits of Uriel Orlow’s research residency over 2017 and 2018 in Aubervilliers north of Paris and in West Africa (Senegal and Mali), and returns to Aubervilliers’ 19th century market gardening past which ended when the factories started to take over, around the same time as European countries, including France, began to develop a colonial agriculture in Africa whose roots reach into our post-colonial present.


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Digital Ecologies Chapter One | SKLAD and The Ancient Bath, Center of Contemporary Art, Plovdiv

Art Today Association’s project “Digital Ecologies” is an exhibition that, by employing the means of art, is exploring the interaction between electronic technologies and urban environment in its complexity. The project will have two editions in 2018 and in 2019.

Operaismo Naturale: Ecology of the Event (27 July – 31 August 2018, at SKLAD and at Ancient Bath) is an exhibition accompanied by a series of talks, art interferences and performances.

The concept behind the two editions comes from the project curator, Dimitrina Sevova (Switzerland/Bulgaria), in collaboration with Katharina Swoboda (Austria) and Emil Mirazchiev (Bulgaria).


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