“As we enter the Pyrocene Age, Maja and Reuben Fowkes ask what political lessons can trees teach us and how do artists act as emissaries of arboreal ministry.”
Afterburn, an article by Maja and Reuben Fowkes for Art Monthly Nº485 that mentions Uriel Orlow’s film We already live in the future, we just don’t remember it.
Read full article here.
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Review from Marie-Laure Allain Bonilla for Camera Austria — issue 169, on Uriel Orlow’s exhibition Knowledge is a Garden at Migros Museum, Zurich.
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Review from Laurinda Branquinho for Umbigo Magazine on Uriel Orlow’s exhibition Memória Colateral at Galeria Avenida da Índia, Lisboa.
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Ayushma Regmi review for ArtForum on Uriel Orlow’s show “What Plants Were Called Before They Had a Name (Guatemala)”, as part of the fifth edition of Photo Kathmandu.
Article by Elisabeth Chardon for Le Temps about Uriel Orlow receiving the Meret Oppenheim Prize 2023.
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Review from Carla Carbone for Umbigo Magazine on Uriel Orlow’s exhibition Histórias Enraizadas at Casa da Cerca, Almada.
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Frieze no. 197 September 2018
“There are, apparently, around 391,000 species of plants on earth and (happy thought!) 94 percent of them can flower. The number, however, keeps growing: in 2015 alone, 2,034 new varieties were discovered. At a time when the worst kind of politics is infecting the planet with its fear-mongering and cruelty, I find it reassuring that we are still making discoveries about this place we call home.”
Jennifer Higgie’s review for Frieze magazine is also available to read online.
