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Person: Vincent Meessen

Teg bët gëstu gi | 14th Dakar Biennale

Group exhibition curated by El Hadj Malick Ndiaye and Emmanuelle Cherel with projects by Hervé Youmbi, Ibrahima Thiam, Uriel Orlow / Ariane Leblanc, Alioune Diouf, Patrick Bernier / Olive Martin, Ussumane Ca, Vincent Meessen, François Knoetze and Mamadou Khouma Gueye.
Teg Bët Gëstu Gi aims to stir up the metamorphic life of objects. Teg Bët Gëstu Gi in Wolof means ‘to see or touch with the eyes’ – research. Uriel Orlow’s new commission ‘Botanique de la more, botanique de la vie’ consists of a video and a garden and engages with artefacts from the collection of the Musée Theodore Monod which are intimately connected with plants: woven baskets used to collect plants, mortar and pestle used to process leaves and roots for medicinal use or sachets of plants worn by warriors to bring them luck… Objects that testify to our entanglement with the vegetal world and that evoke the spiritual and medicinal powers of plants.

Uriel Orlow exhibits for the first time the commissioned work Botany of Death, Botany of Life (video, 2020-2022). Outside the museum walls, in the garden, we encounter Botany of Care, a medicinal garden project conceived and developed jointly by Uriel Orlow and Ariane Leblanc.


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Ecole des Beaux Arts, Paris | Hantologie des Colonies

Screening of The Visitor as part of programme of films by Vincent Meessen, Marie Voignier, Wendelien van Oldenborgh, Philip Scheffner, Olive Martin & Patrick Bernier, Raoul Peck, Sven Augustijnen, Manthia Diawara, Miranda Pennell, Filipa César, Ben Russell, Angela Ferreira, Sarah Maldoror, Patricia Esquivias, Patrizio di Massimo, Brigitta Kuster & Moise Merlin Mabouna, Uriel Orlow, Penny Siopis


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