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Person: Uriel Orlow

Kunstszene Zürich | Helmhaus

A group exhibition featuring works by Ian Anüll, Istvan Balogh, Sabian Baumann, Vanessa Billy, Sandra Boeschenstein, Reto Boller, Anton Bruhin, Brigitte Dätwyler, Cédric Eisenring, Robert Estermann, Garret Nelson, Florian Germann, Patrick Graf, Michéle Graf & Selina Grüter, Colin Guillemet, Raphael Hefti, Cécile Huber, Thomas Julier, San Keller, Franziska Koch, Petra Köhle / Nicolas Vermot Petit-Outhenin, Miriam Laura Leonardi, Tobias Madison, Fabian Marti, Media Group Bitnik, Dieter Meier, Mélodie Mousset, Jos Näpflin, Yves Netzhammer, Uriel Orlow, Elodie Pong, Jessica Pooch, RELAX chiarenza & hauser & co, Riika Tauriainen, Romy Rüegger, Karin Sander, Katja Schenker, Doris Stauffer, Eva Stürmlin, and Sebastian Utzni.


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Politics of Nature | Universtät St. Gallen

The conference calls attention to the politics of nature, a key feature of contemporary neoliberalism and its planetary ambitions. Late capitalism has not only wide-ranging effects on the transformation of labor and subjectivities, but is also causing drastic changes in the government of nature. While the “limits-to-growth” environmentalism of the 1960s placed ecology at the center of the intellectual agenda, and the “sustainable development” movement launched in the 80’s replaced old-fashioned notions of nature with “the environment”, the current popularity of the category of the Anthropocene and climate crisis are promoting the grand narrative of an Earth-at-risk.

The purpose of the conference is to stimulate a cross-disciplinary reflection on the “states of nature” that are emerging from discourses centered on the threat of abrupt planetary environmental catastrophes, chronical conditions of ecological vulnerability, strategies of security, survival and adaptation, and the political and poetical imaginary of extinction and mutation. What is the role, responsibility, and complicity of critical theory and the arts in shaping the political and aesthetic reactions to large-scale eco-social devastations? What is the relation between the logic of coloniality and the Anthropocenic political episteme of deep history, unpredictable planetary tipping points, fear and resilience? What are the intellectual and political implications of our current, and conflicting, politics of nature?

Organised by Federico Luisetti and Emmanuel Alloa (School for Humanities and Social Sciences, Universität St. Gallen).

The conference was sponsored by the Universität St. Gallen, Research Committee, in collaboration with the Italian Thought Network


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Subcontracted Nations | A.M. Qattan Foundation, Ramallah​

Subcontracted Nations is a group exhibition that questions differing concepts of nation. In these times, we are seeing major transformations in these concepts through rhetorical and political discourse across many corners of the globe.

The exhibition draws its title from the proliferation of the processes of sub-contracting found in our world today―whether it is the sub-contracting of health services, or the privatisation of public resources including education. These processes have been instrumental in the fragmentation and compartmentalisation of public services and the diminution of the role and obligations of the state.

Another question the exhibition will pose is how the different forms of neoliberal orders in societies are being kept within socially and economically acceptable limits, in a manner considered optimal for preventing dissent and thus serving to maintain the delusion of social agency. The effects of these neoliberal mechanisms have become intrinsically entrenched in the production of day-to-day relationships, from family to sexual relations, to the status of citizenship and the structure of politics. This imposition of neoliberal mechanisms has contributed in numerous ways to the transformation of the individual through reformatory techniques, pre-designed lifestyles, dependency, and so forth.

Curated by Yazid Anani, featuring works by Ahed Izhiman, Ahmed Hamed, Alexandra Handal, Bashar Alhroub, Bashir Makhoul, Bisan Abu Eisheh, Dirar Kalash, Essa Grayeb, Habib Asal, Iyad Issa, Jonas Staal, Jumana Abboud, Khaled Jarrar, Lara Baladi, Larissa Sansour, Majdi Hadid, Manal Mahamid, May Odeh, Mirna Bamieh, Naeem Mohaiemen, Nida Sinnokrot, Noor Abed, Rima Essa, Sarah Beddington, Sliman Mansour, Taysir Batniji, Uriel Orlow, Vera Tamari, Vladimir Tamari, Waseem Fouad, Yazan Khalili and others.

Manifesta 12: The Planetary Garden | Palermo

Throughout history, the city of Palermo has been a laboratory for diversity and cross-pollination.  Continuous migration – from the Ancient Greeks, the Arabs and the Normans to the recent arrival from Northern Africa, South East Asia and the Middle East – has constantly redefined the city and its people. Palermo’s streets, architecture, parks, cultural legacy and personal histories are the result of a long-lasting syncretism of cultures across the Mediterranean and beyond.

Manifesta 12 in 2018 will also dialogue with the ephemeral components of Palermo’s life. Honouring the city’s long tradition of storytelling – or canta storie – through a series of new narrative productions about the city’s hidden networks. Recognising Santa Rosalia procession as a territory of contemporary syncretism, dialogue and celebration. Supporting existing initiatives to provide spaces for public hospitality. Mobilising its rich collection of archives to disclose untold stories on the city and its characters.

New commission presented in exhibition curated by Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, and Mirjam Varadinis. Featuring works by Maria Thereza Alves, Jelili Atiku, Coloco & Gilles Clement, Cooking Sections, John Gerrard, Uriel Orlow, Khalil Rabah, Rotor, Marinella Senatore, Giorgio Vasta and others.


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Infected Landscapes | M.1 Hohenlockstedt

Landscapes hint at demarcations and serve communities; are depositories of memories and states of being that allow us to make conclusions about the past and assumptions about the future; and are run through with or even constructed by computing and biochemical processes. Landscapes prompt desire and yearning. They provide an image both diffusely beautiful and alluringly disturbing. Landscapes and the shifts that occur therein foster critical reflection on the so-called anthropocene as well as observations on interaction between human and non-human players. The term landscape designates both a spatial situation and a symbolic construct; and each carries traces of multifaceted aesthetic, cultural, territorial, capitalised and subjective inscriptions. Landscapes have different effects depending on their context.

The artists’ contributions to the symposium and exhibition are a lens through which we will collectively review these constructs and discuss the extent to which we might consider landscapes to be impure and infected.

Curated by Joerg Franzbecker, featuring works by Filipa Cesar & Louis Henderson, Esther Kinsky, knowbotiq, The Many Headed Hydra, Elke Marhöfer & Mykhail Lylov, Uriel Orlow, Nguyen Trinh Thi, Sandra Schäfer, Kerstin Schroedinger, Virgilijus Šonta, Vangjush Vellahu, and Gitte Villesen.


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Sharjah Biennial 13: Tamawuj | Sharjah Art Foundation, Sharjah

The thematic focus of SB13 is grounded in the four keywords water, crops, earth and culinary, which form the foundations of social interaction and exchange. Just as the thematic keywords are porous and feed into one another, SB13 places researchers and interlocutors in conversation with one another, and with Sharjah. Its multi-city, multi-part programmes are envisaged as infrastructures to channel knowledge transmission and information sharing between artists, curators, editors, researchers and the general public. This fluidity of knowledge irrigates new, enduring terrains of collaboration and references the threefold meaning of Tamawuj: a rising and falling in waves; a flowing, swelling, surging or fluctuation; and a wavy, undulating appearance, outline or form.

Sharjah Art Foundation (SAF) is pleased to announce the list of over 60 artists participating in Act I of the forthcoming Sharjah Biennial 13, Tamawuj (SB13):

Noor Abuarafeh, Lawrence Abu Hamdan, Abbas Akhavan, Tamara Al Samerraei, Allora & Calzadilla, Maria Thereza Alves, Kader Attia, Tonico Lemos Auad, Ismaï l Bahri, Sarnath Banerjee, Yto Barrada, Abdelkader Benchamma, Ursula Biemann and Paulo Tavares, Dineo Seshee Bopape, Jonathas de Andrade, Mariana Castillo Deball, Roy Dib, Vikram Divecha, Barış Doğrusöz, Koo Donghee, İ nci Eviner, Em’kal Eyongakpa, Harun Farocki, Fehras Publishing Practices, Future Farmers, Daniele Genadry, Deniz Gul, Shadi Habib Allah, Taloi Havini, Takashi Ishida, İz Öztat and Fatma Belkıs Işık, Lamia Joreige, Christoph Keller, Samir Khaddaj, Mahmoud Khaled, Nesrine Khodr, Basim Magdy, Metahaven, Hind Mezaina, Mochu, Oscar Murillo, Joe Namy, Uriel Orlow, The Otolith Group, Christodoulos Panayiotou, Khalil Rabah, Raqs Media Collective, Stéphanie Saadé, Abdullah Al Saadi, Natascha Sadr Haghighian, Ghassan Salhab, Roy Samaha, Massinissa Selmani, Setareh Shahbazi, Nida Sinnokrot, Walid Siti, Monika Sosnowska, Zhou Tao, Mario Garcí a Torres, Jorinde Voigt, James Webb, Rain Wu and Eric Chen, Paola Yacoub, Fathi Zamroud

Sharjah Biennial 13 is curated by Christine Tohme


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Atlas [of the ruins] of Europe | CentroCentro, Madrid

Group Exhibition with Abraham Ortelius, Adelita Husni-Bey, Alexandre Lenoir, Alfonso Chacón, Alfred Aunay, André Romao, Andrea Palladio, Andrea Vesalio, Anja Kirschner y David Panos, Anne-Claude-Philippe de Tubières, conde de Caylus, Antoni Muntadas, Antonin Carême, Antonio Bosio, Arthur T. Bolton, Babi Badalov, Benjamin Péret, Bernhard Sigfried Albinus, Carl Gustav Carus, Carol Rama, CASITA, Charles James Richardson, Charles Marville, Claude-Nicolas Ledoux, Crisóstomo Martínez, Diego de Sagredo, Diego del Pozo, Édouard Dangin, Erik Beltrán, Ernst Friedrich, Esther Ferrer, Eugènne-Emmanuel Viollet-le-Duc, Filippo Morghen y Antonio Joli, Forensic Architecture, Francesco Colonna, Francisco de Goya, François de Chasseboueuf, François Perrier, George Bailey, Giorgio Vasari, Giovanni Battista da’ Cavalieri, Giovanni Battista Piranesi, Girard Audran,Hrair Sarkissian, Hyeronimus Cock, según Johannes van Doetechum, Igor Kostin, Irene Mohedano, Iván Argote, Jacques Callot, Jacques Philippe Le Bas, Jean Claude de Richard, Abbé de Saint-Non, Jean-Jacques-François Le Barbier, Jeleton, Jeremy Bentham, Johann Friedrich Blumenbach, Johann Joachim Winckelmann, Johann Karl August Kruger, Jorge Ribalta, José Ortiz y Sanz, Joseph Michael Gandy, Jules Andrieu, Julien-David Le Roy, Kader Attia, Le Corbusier, Leah Gordon, Louis-Jean Desprez, Man Ray, Marco Dente da Ravenna, Maria Papadimitrou, Yorgos Tzirtzilakis y estudiantes de la Volos University, Martin Parr, P. Loubère, Paolo Fumagalli, Paul B. Preciado, Paul Virilio, Paulo Tavares, Pedro G. Romero, Pedro José Márquez, Philibert de l’Orme, Pirro Ligorio, Quatremère de Quincy, Richard Peter, Sebastiano Serlio,Sigmund Freud, Simón García, Uriel Orlow, Vincenzo Feoli, Vitruvio (Cesare Cesariano), Vitruvio, Vladislav Shapovalov, Wendel Dietterlin, William Blake,William Hogarth


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EVA International, Limerick | Agitationism

Agitationism, on the one hand, is the condition of living under a constant flow of agitations, including the ones that you inevitably sometimes produce yourself. However, it is also the process of ‘working through’ them with the aim of seeking adaptation to a logic situated somewhere else beyond the entrapment between past, present, and future—three tenses that overlap in the contemporary moment, creating a kind of palimpsest of half undone histories, half imagined futures, and a present of phantasms as a consequence.
Curated by Bassam El Baroni with work by Bisan Abu-Eisheh, Doa Aly,Amanda Beech, Luis Camnitzer, Chimurenga, Jacqueline Doyen, GRRRR (Ingo Giezendanner), Nilbar Güreş, Iswanto Hartono & Raqs Media Collective, Rana Hamadeh, Siobhán Hapaska, Nicoline van Harskamp, Malak Helmy, David Horvitz, Luis Jacob, Jeffrey Charles Henry Peacock, Hassan Khan,Asier Mendizabal,Uriel Orlow, Garrett Phelan, Elizabeth Price, Walid Sadek, Miri Segal, Ann-Sofi Sidén, Praneet Soi and others.


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