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Person: Sergio Rojas Chaves

Multispecies Clouds | Macalline Art Center, Beijing

Learning from Artemisia at Macalline Art Center Beijing

Group exhibition curated by Yang Beichen, including works by Cai Gut-Qiang, Carolina Caycedo & David de Rozas, Sergio Rojas Chaves, Chu Yun, Rometti Costales, Sheryl Cheung, Patricia Domínguez, Fei Yining, Jes Fan, Liu Chuang, Long Pan, Rice Brewing Sisters Club, Pamela Rosenkranz, Tong Yixin, Wu Chi-Yu, Trevor Yeung, Zhang Wenzhi, Zheng Mahler.

The first chapter of the series “Who Owns Nature?”, a research based curatorial project with three chapters at the Macalline Art Center. It seeks to re-examine our historical debt with “nature” and to explore a new non-linear cosmological model. This is an interdisciplinary and interdisciplinary project, in which we will work with different artists, scholars and cultural practitioners to create lively and serious sites on different issues.


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Rebuilding Connections | Edition VFO, Zurich

Uriel Orlow presents two new works for the June edition “Rebuilding Connections” by Edition VFO (Zurich), together with works by artists Mirko Baselgia, Olaf Breuning, Natacha Donzé, Delphine Reist, Sergio Rojas Chaves, Anouk Tschanz:

— Forest Essentials Take Two / Close-Up (Bóbe), 2022 (wood cut on Japanese paper, 46 x 62 cm, edition 12 + 4AP, produced by Hugo Amorim)
— Forest Essentials Take Two / Long Shot (Bóbe), 2022  (silkscreen print on wood, 46 x 62 cm, edition 12 + 4AP, produced by Telmo Chaparra)

Artist Talk with Uriel Orlow: Friday, 15 July 6:30 pm


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Plant Kingdom | Budapest Gallery

Group exhibition curated by Flóra Gadó and Dalma Eszter Kollár, with works by artists David Eisl, Marta Fišerová Cwiklinski, Kitti Gosztola – Bence György Pálinkás, Nona Inescu, Mónika Kárándi, Stella Koleszár, Dániel Máté, Barbara Mihályi, Uriel Orlow and Sergio Rojas Chaves.

The exhibition’s point of departure is the extent to which our attitude to care has changed in recent years as a result of the pandemic. Exploring the small, even invisible manifestations of caring and how it can extend to the non-human world around us, the exhibition focuses on plants. A number of artistic strategies are represented in which, through attention to and collaboration with the flora of our immediate environment, a more liveable future for more than just humans gains significance. The former symbolism of plants, flowers and fruits is replaced by current interpretations seeking a way out of contemporary crises.


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