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Person: Nomin Bold

4 Oct ’21 – 6 Feb ’22

Earth Beats, Naturbild im Wandel | Kunsthaus Zürich

A major exhibition exploring artists’ engagement with the planet and its vulnerability. It considers both the history of ideas and future scenarios for the sustainable use of natural resources. ‘Earth Beats’ is an artists’ plea to preserve the Earth and its natural resources, born out of the urgency of the present situation. Nature, in the form of landscape painting, is firmly embedded in art history. In works from earlier centuries we generally encounter it as idyllic scenery, but since the 1970s it has been depicted with ever greater clarity as an entity threatened by human intervention and at the same time deserving of protection.

Curated by Sandra Gianfreda and Cathérine Hug, with some 120 works by Lothar Baumgarten, Vaughn Bell, Bernd & Hilla Becher, Joseph Beuys, Ursula Biemann, Nomin Bold, Laurence Bonvin, Herbert Brandl, Julian Charrière, Edward Theodore Compton, Gustave Courbet, Tony Cragg, Buby Durini, Thomas Fearnley, Peter Fischli & David Weiss, Francesca Gabbiani, Ludwig Hess, Cornelia Hesse-Honegger, Ferdinand Hodler, Anna Jermolaewa, Ruth Kaaserer, Mikhail Karikis & Uriel Orlow, Armin Linke & Giulia Bruno & Giuseppe Ielasi, Richard Long, Marcus Maeder, Maurice Maggi, Ana Mendieta, Conrad Meyer, Johann Heinrich Meyer, Otto Morach, Harald Naegeli, Walter Niedermayr, Katie Paterson, Albert Renger-Patzsch, Oliver Ressler, Germaine Richier, Ed Ruscha, David Shrigley, Jules Spinatsch, Johann Gottfried Steffan, Annelies Štrba, Thomas Struth, Vivian Suter, Félix Vallotton, Auguste Veillon, Hans Beat Wieland, Caspar Wolf, Robert Zünd.


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9 Jun ’18 – 19 Sep ’18

Yinchuan Biennale | MOCA Yinchuan

The second Yinchuan Biennale “Departing from the Desert – Ecology on the Border” is conceived with the aim of measuring itself against a specific geo-historic context, and proposed as a form of minor language within the biennale system, Starting from the Desert seeks to respond to contemporary urgencies (not only in China) by adopting an “archaeological method.”

The Biennale’s framework is articulated over four, interdependent (and often overlapping) thematic areas that, without seeking to limit or circumscribe, attempts to visualize their material and immaterial aspects: Nomadic Space and Rural Space, Labor-in-Nature and Nature-in-Labor, The Voice and The Book, Minorities and Multiplicity .

Curated by Marco Scotini, with Andris Brinkmanis, Paolo Caffoni, Zasha Colah, and Lu Xinghua. With works by over 80 artists including Can Altay, Said Atabekov, Erick Beltrán, Alighiero Boetti, Filipa César, Emory Douglas, Duan Zengqu, Miriam Ghani, Raphaël Grisey, Silima Hashimi, Kiluanji Kia Henda, Hiwa K, Li Fenglen, Liu Ding, Adrien Missika, Pedro Neves Marques, Uriel Orlow, Kyong Park, Marjetica Potrč, Song Dong, Zheng Bo and others.


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