triangle circle square diamond

Person: Maria Thereza Alves

Beyond Water | Reconnecting Earth Biennial II, Geneva

The second edition of the (re)connecting.earth biennial of art and urban nature aims to (re)focus attention on the natural elements that make up our urban environment. After exploring urban gardens and eco-neighbourhoods in 2021, the 2023 biennial of art and urban nature is taking shape around the theme of lakes and water. Curated by Bernard Vienat with works by Maria Thereza Alves, Caroline Bachmann, Flurina Badel & Jérémie Sarbach, Mauren Brodbeck, Seba Calfuqueo, Luis Camnitzer, Gabo Camnitzer & Lluís Alexandre Casanovas Blanco, Julian Charrière, Collectif Tchan-Zâca, Andreas Greiner & Takafumi Tsukamoto, Valérie Favre, Anne-Laure Franchette & Manon Briod, Marie Griesmar, Hans Haacke, Christina Hemauer & Roman Keller, Monica Ursina Jäger, Alexandre Joly, Diana Lelonek, Diana Lelonek & Denim Szram, Antje Majewski, Adrien Missika, Uriel Orlow, Carmen Perrin, Som Supaparinya, Raul Walch, Pinar Yoldas, Zheng Bo


External Link →

Becoming Flower | MAMAC, Nice

A group exhibition at MAMAC Nice, curated by Hélène Guenin and Rébecca François and part of the Nice Biennal of Arts 2022. With works by Laurence Aëgerter, Maria Thereza Alves, Isa Barbier, Yto Barrada, Hicham Berrada, Minia Biabiany, Melanie Bonajo, Bianca Bondi, Fatma Bucak, Chiara Camoni, Ali Cherri, Jean Comandon & Pierre de Fonbrune, Marinette Cueco, Odonchimeg Davaadorj, Andy Goldsworthy, Nona Inescu, Kapwani Kiwanga, Tetsumi Kudo, Marie-Claire Messouma Manlanbien, Ana Mendieta, Marie Menken, Otobong Nkanga, Dennis Oppenheim, Uriel Orlow, Gabriel Orozco, Giuseppe Penone, Pia Rönicke, Michelle Stuart, Anaïs Tondeur, NILS-UDO, Zheng Bo.

Becoming flower? At a time when ecosystems and climate breakthrough is leading us to rethink our relationship with nature and the living world, we can wonder what can we learn from flowers, from their resilience, from their constant adaptation to their environment, from their sobriety? Vulnerable and essential, they are an indispensable driving force of life: they produce the food that humans, animals and insects consume and the oxygen that we breathe. With scientific advances in plant intelligence and a new approach to life, our fascination for them is growing – far beyond mere aesthetic pleasure. Symbols of fragility and rebirth, they are becoming a particularly powerful indicator for lighting up current issues. Through the eyes of artists, “Becoming Flower” attempts to bring a new and a sensitive light on contemporary ecological, anthropological and geopolitical issues. The exhibition brings to light a botany of world history, as well as new forms of attention, sensitivity and thought.


External Link →

Transports of Delight | Danielle Arnaud contemporary art, London

Collective exhibition in Danielle Arnaud contemporary art, London, including artists Anna Barriball, Daphne Wright, David Cotterrell, Edward Chell, Gerard Ortín, Gunther Herbst, Harun Morrison, Helen Maurer, Helen Walker, Joseph Banks, Joy Gregory, Laure Prouvost, Lea Maelzer, Leelou Gordon-Fox, Maria Thereza Alves, Mariele Neudecker, Nick Laessing, Nils Norman, Owen Griffiths, Peter Hofer, Pia Ostlund, Rosa Nguyen, Stephen Lee.

In the 1830s, East London doctor and amateur naturalist Dr. Nathaniel Bagshaw Ward invented a sealed glass case, an ecosphere in which plants could survive heavily polluted air. The Wardian case was soon being used for the transport of plants by sea around the world. From garden plants such as jasmine and rhododendrons to cash crops like bananas and tea, this simple invention transformed global economies and environments and shaped our world. Transports of Delight, will explore the impact of this simple but world-changing invention which links themes of colonialism, environment and the collection and display of plants associated with broader historical narratives.

The exhibition will feature around twenty artists from Britain and abroad with an accompanying publication.


External Link →

Garden of Earthly Delights | Gropius Bau, Berlin

In this large-scale group exhibition, artists including Pipilotti Rist, Rashid Johnson, Maria Thereza Alves, Uriel Orlow, Jumana Manna, Taro Shinoda and Heather Phillipson interpret the motif of the garden as a metaphor for the state of the world and as a poetic expression to explore the complexities of our increasingly precarious world. Their artworks open up a wider discourse on social, political and ecological phenomena, such as migration, gentrification and gender politics. In addition to common understanding of the garden as a place of yearning full of meditative, spiritual and philosophical possibilities, the exhibition will tread the line between reality and fantasy, harmony and chaos, beauty and exile.

External link here


External Link →

Fragile Earth | MIMA, Middlesborough

MIMA’s summer exhibition presents artistic responses to current urgencies around ecological change. Works by Maria Thereza Alves, Zheng Bo, Allan Sekula and Noël Burch, Miriam de Búrca, Laura Harrington, Andy Holden, David Lisser, Shahar Livne, Anne Vibeke Mou, Otobong Nkanga, Uriel Orlow, Faiza Ahmad Khan and Hanna Rullman, Zina Saro-Wiwa, Cooking Sections, Mierle Laderman Ukeles, Diane Watson, Wayward.

 


External Link →

Manifesta 12: The Planetary Garden | Palermo

Throughout history, the city of Palermo has been a laboratory for diversity and cross-pollination.  Continuous migration – from the Ancient Greeks, the Arabs and the Normans to the recent arrival from Northern Africa, South East Asia and the Middle East – has constantly redefined the city and its people. Palermo’s streets, architecture, parks, cultural legacy and personal histories are the result of a long-lasting syncretism of cultures across the Mediterranean and beyond.

Manifesta 12 in 2018 will also dialogue with the ephemeral components of Palermo’s life. Honouring the city’s long tradition of storytelling – or canta storie – through a series of new narrative productions about the city’s hidden networks. Recognising Santa Rosalia procession as a territory of contemporary syncretism, dialogue and celebration. Supporting existing initiatives to provide spaces for public hospitality. Mobilising its rich collection of archives to disclose untold stories on the city and its characters.

New commission presented in exhibition curated by Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, and Mirjam Varadinis. Featuring works by Maria Thereza Alves, Jelili Atiku, Coloco & Gilles Clement, Cooking Sections, John Gerrard, Uriel Orlow, Khalil Rabah, Rotor, Marinella Senatore, Giorgio Vasta and others.


External Link →

Fragments as a Tool | Le Narcissio, Nice

Fragments as a Tool – Memory and Archeology in Contemporary art

This event, curated by Lorenzo Bruni, is a cross-reading about one of the latest trends in contemporary art: the use of archives and the archaeological method adopted by artists to reflect not on the identity of a society of the past, but on our present.

Films by artists Maria Thereza Alves, Rossella Biscotti, Uriel Orlow, and Ulla Von Brandenburg will be screened in order to create a moment of encounter, informal debate, and reflection upon this theme.


External Link →

Sharjah Biennial 13: Tamawuj | Sharjah Art Foundation, Sharjah

The thematic focus of SB13 is grounded in the four keywords water, crops, earth and culinary, which form the foundations of social interaction and exchange. Just as the thematic keywords are porous and feed into one another, SB13 places researchers and interlocutors in conversation with one another, and with Sharjah. Its multi-city, multi-part programmes are envisaged as infrastructures to channel knowledge transmission and information sharing between artists, curators, editors, researchers and the general public. This fluidity of knowledge irrigates new, enduring terrains of collaboration and references the threefold meaning of Tamawuj: a rising and falling in waves; a flowing, swelling, surging or fluctuation; and a wavy, undulating appearance, outline or form.

Sharjah Art Foundation (SAF) is pleased to announce the list of over 60 artists participating in Act I of the forthcoming Sharjah Biennial 13, Tamawuj (SB13):

Noor Abuarafeh, Lawrence Abu Hamdan, Abbas Akhavan, Tamara Al Samerraei, Allora & Calzadilla, Maria Thereza Alves, Kader Attia, Tonico Lemos Auad, Ismaï l Bahri, Sarnath Banerjee, Yto Barrada, Abdelkader Benchamma, Ursula Biemann and Paulo Tavares, Dineo Seshee Bopape, Jonathas de Andrade, Mariana Castillo Deball, Roy Dib, Vikram Divecha, Barış Doğrusöz, Koo Donghee, İ nci Eviner, Em’kal Eyongakpa, Harun Farocki, Fehras Publishing Practices, Future Farmers, Daniele Genadry, Deniz Gul, Shadi Habib Allah, Taloi Havini, Takashi Ishida, İz Öztat and Fatma Belkıs Işık, Lamia Joreige, Christoph Keller, Samir Khaddaj, Mahmoud Khaled, Nesrine Khodr, Basim Magdy, Metahaven, Hind Mezaina, Mochu, Oscar Murillo, Joe Namy, Uriel Orlow, The Otolith Group, Christodoulos Panayiotou, Khalil Rabah, Raqs Media Collective, Stéphanie Saadé, Abdullah Al Saadi, Natascha Sadr Haghighian, Ghassan Salhab, Roy Samaha, Massinissa Selmani, Setareh Shahbazi, Nida Sinnokrot, Walid Siti, Monika Sosnowska, Zhou Tao, Mario Garcí a Torres, Jorinde Voigt, James Webb, Rain Wu and Eric Chen, Paola Yacoub, Fathi Zamroud

Sharjah Biennial 13 is curated by Christine Tohme


External Link →