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Person: Adrien Missika

Teatro di Natura | Magic Lantern Film Festival, Rome

Screening of the film The Crown Against Mafavuke at the film programme Teatro di Natura.

Magic Lantern Film Festival presents Teatro di Natura (Theatre of Nature), a film programme conceived in collaboration with MuST – the Museum of Science and Territory and the Museum Network of Spoleto, on the occasion of the 2024 edition of the Festival della Fauna. The festival takes inspiration from the figure of Bernadino Ragni, a zoologist from Spoleto who dedicated his life to the study and understanding of wildlife.

Screening along side works by Mircea Cantor, Martin Creed, Michela De Mattei, Adrien Missika, Atoosa Pour Hosseini, Natalia Trejbalova, Luca Trevisani and Ana Vaz

Beyond Water | Reconnecting Earth Biennial II, Geneva

The second edition of the (re)connecting.earth biennial of art and urban nature aims to (re)focus attention on the natural elements that make up our urban environment. After exploring urban gardens and eco-neighbourhoods in 2021, the 2023 biennial of art and urban nature is taking shape around the theme of lakes and water. Curated by Bernard Vienat with works by Maria Thereza Alves, Caroline Bachmann, Flurina Badel & Jérémie Sarbach, Mauren Brodbeck, Seba Calfuqueo, Luis Camnitzer, Gabo Camnitzer & Lluís Alexandre Casanovas Blanco, Julian Charrière, Collectif Tchan-Zâca, Andreas Greiner & Takafumi Tsukamoto, Valérie Favre, Anne-Laure Franchette & Manon Briod, Marie Griesmar, Hans Haacke, Christina Hemauer & Roman Keller, Monica Ursina Jäger, Alexandre Joly, Diana Lelonek, Diana Lelonek & Denim Szram, Antje Majewski, Adrien Missika, Uriel Orlow, Carmen Perrin, Som Supaparinya, Raul Walch, Pinar Yoldas, Zheng Bo


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Yinchuan Biennale | MOCA Yinchuan

The second Yinchuan Biennale “Departing from the Desert – Ecology on the Border” is conceived with the aim of measuring itself against a specific geo-historic context, and proposed as a form of minor language within the biennale system, Starting from the Desert seeks to respond to contemporary urgencies (not only in China) by adopting an “archaeological method.”

The Biennale’s framework is articulated over four, interdependent (and often overlapping) thematic areas that, without seeking to limit or circumscribe, attempts to visualize their material and immaterial aspects: Nomadic Space and Rural Space, Labor-in-Nature and Nature-in-Labor, The Voice and The Book, Minorities and Multiplicity .

Curated by Marco Scotini, with Andris Brinkmanis, Paolo Caffoni, Zasha Colah, and Lu Xinghua. With works by over 80 artists including Can Altay, Said Atabekov, Erick Beltrán, Alighiero Boetti, Filipa César, Emory Douglas, Duan Zengqu, Miriam Ghani, Raphaël Grisey, Silima Hashimi, Kiluanji Kia Henda, Hiwa K, Li Fenglen, Liu Ding, Adrien Missika, Pedro Neves Marques, Uriel Orlow, Kyong Park, Marjetica Potrč, Song Dong, Zheng Bo and others.


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Aargauer Kunsthaus | La jeunesse est un art

Survey show of Swiss artists curated by Madeleine Schuppli, including work by Vanessa Billy, Pauline Boudry / Renate Lorenz, Stefan Burger, Valentin Carron, Davide Cascio, Philippe Decrauzat, Latifa Echakhch, Raphael Hefti,  Fabian Marti, Luc Mattenberger, Adrien Missika, Damián Navarro, Taiyo Onorato / Nico Krebs, Uriel Orlow, Mai-Thu Perret, Guillaume Pilet, Annaïk Lou Pitteloud, Kilian Rüthemann, Shirana Shahbazi.


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LiveInYourHead, Geneva | The Mirage of History

Exhibition with works by Armando Andrade Tudela, Mariana Castillo Deball, Aurélien Froment, Mario Garcia Torres, Dominique Gonzalez-Foerster, Nancy Holt & Robert Smithson, Joachim Koester, Adrien Missika, Uriel Orlow, Sean Snyder, Michael Stevenson. Curated by Yann Chateigné Tytelman with students from the Work.Master.