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There Will Come Soft Rains | Basis-Frankfurt

Group exhibition curated by Stefan Vicedom and Bernard Vienat with works by: Marcela Armas, Hicham Berrada, Carolina Caycedo, Julian Charrière, Andreas Greiner & Tyler Friedman, Galina Loonova, Uriel Orlow, Mario Pfeifer , Superflex, Jeronimo Voss, Pinar Yoldas

For modern people, the experience of certain scenarios often proves to be an effective medium for opening new perspectives on themselves and their present. Following on from this, the exhibition explores a special context of experience by initiating a fictional journey through time. A group of international artists enter the year 2318, where they encounter a new world without human species. Fundamental questions on dealing with our environment, the relationship between art and science as well as the late capitalist self-understanding of the human being form recurring moments of the artistic argument within the exhibition.


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What Happens to People and What Happens to the Land is the Same Thing | Le Narcisssio, Nice

Curated by Chiara Nuzzi, the project What Happens to People and What Happens to the Land is the Same Thing explores the role of art in ecological emergence, investigating its intersections with environmental commitment, political ecology and indigenous knowledge in relation to our modernity. In this frame, the works by several artists develop different cosmologies in light of the specific topic of reconciliation, an approach facing a de-colonial sensibility in the contemporary engagement with art.

The project is thus divided in three different chapters covering in turn an evening of lectures and screening program where selected video works will establish new powerful relations and crucial questions, followed by a video exhibition, and concluded by a collective sound walk in a botanical garden on the French Riviera.

Curated by Chiara Nuzzi, screening works by Ursula Biemann & Paulo Tavares, the Karrabing Film Collective and Uriel Orlow.


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Healing | Czech Centre, Berlin

The exhibition Healing (Healing in the active and passive sense of the word) is based on the fact that personal health and a healthy way of life in today’s society (above all, but not only in the western world) is such a highly valued asset. that the pursuit of health sometimes seems almost cultic. The definition of “being healthy” is different in different cultures, and the healing methods and procedures are different.

Medicine, healing and therapy will be addressed, taking into account the existence of certain tensions and paradoxes: be they interfaces between rationality and belief, between science and magic, between healing applications and rituals, or between natural and artificial substances or aids. In today’s globalized world, it is often not easy to draw a clear line between what is modern and progressive (qualities that we can associate with the development of technologies, science, chemistry, etc.) and what is in essence originated in a long tradition (which in turn is based on inherited knowledge, natural sources, but also on collective rituals and non-rational beliefs).

From the perspective of contemporary art, the exhibition as a whole intends to present various current perspectives on the topic of healing and health, thus placing the complex of issues in broader social, political and economic contexts. The fact that the exhibition builds on the tension between rational and irrational aspects of healing is a consequence of her concern to point out the close connection between these opposing aspects, which in the final analysis can not be separated.

The exhibition is organized by the Jindřich-Chalupecký-Gesellschaft and presents mainly young Czech artists in an international context, among them also selected winners and finalists of the Jindřich-Chalupecký Prize.

Curated by Tereza Jindrová

Exhibiting artists: Jana Doležalová, Marco Donnarumma, Romana Drdova, Jakub Jansa, Barbora Kleinhamplová, Martin Kohout, Uriel Orlov, Johana Střížková, Miroslava Večeřová & Pavel Příkaský


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Screening | Fragments as a Tool | Le Narcissio, Nice

Fragments as a Tool – Memory and Archeology in Contemporary art

This event, curated by Lorenzo Bruni, is a cross-reading about one of the latest trends in contemporary art: the use of archives and the archaeological method adopted by artists to reflect not on the identity of a society of the past, but on our present.

Films by artists Maria Thereza Alves, Rossella Biscotti, Uriel Orlow, and Ulla Von Brandenburg will be screened in order to create a moment of encounter, informal debate, and reflection upon this theme.


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There past the borders of nowhere | John Hansard Gallery, Southampton

John Hansard Gallery’s presents an evening of artist’s films in partnership with Southampton Film Week.

14. November 2017 | 7-9pm | FREE, booking required

Book your place HERE

The following films will be shown:

Shezad Dawood, Trailer, (2011), 15’00”
Uriel Orlow, Muthi (2016-17), 17’00”
Imogen Stidworthy, Barrabackslarrabang (2010), 9’13”
David Blandy, Child of the Atom (2011), 14’00”
Rosalind Nashashibi, Vivian’s Garden (2017), 29’50”


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Sharjah Biennial Prize 2017

Uriel Orlow, Reader for the Centre for Research and Education in Arts and Media (CREAM) at the University of Westminster, received the Sharjah Biennial Prize 2017 for his work Theatrum Botanicum that was exhibited in the United Arab Emirates (UAE).

The multi-component work Theatrum Botanicum (2016) envisions the botanical world as both witness to and actor in the enduring legacy of colonialism in South Africa, looking to the botanical world as a stage for politics at large through film, photography, installation and sound.

Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses and actors in history, and as dynamic agents – linking nature and humans, rural and cosmopolitan medicine, tradition and modernity – across different geographies, histories and systems of knowledge, with a variety of curative, spiritual and economic powers.

The Position of the Researcher – Undisciplined meetings: Arts and Social Sciences | Mucem, Marseilles

8-10. November, 2017 | Mucem Auditorium
Free admission, registration recommended: i2mp@mucem.org

The ethical or political positioning of a researcher is built through his or her working methods. In the human and social sciences, these methods are so many ways of doing within discourse. We start from the common materiality of the research work – the confrontation with the materials, the archives and the testimonies – to create a dialogue around the gestures of the collection, the methods of investigation, the forms of writing and exposure.

Participants include artists Kapwani Kiwanga, Mathieu K. Abonnenc, Vincent Meessen, and Uriel Orlow.


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Solo Exhibition | What Plants Were Called Before They Had a Name | PAV Parco Arte Vivente, Turin

As Michel Foucault says, “the theory of natural history can not be dissociated from that of language.” In any culture, naming things means dominating them, as in law, the legal act of naming is an exclusive prerogative of the person who has power over it. This solo exhibition take shape from the artist’s research between Europe and South Africa. European colonialism was preceded and flanked by important botanical expeditions. The aim was to explore and classify the new territories and their natural resources, thus paving the way for employment and exploitation. Through films, photographs, installations and sound projects, the artist outlines a scenario that focuses on the idea of ​​the botanical world as a stage for complex and articulate political dynamics.

Curated by Marco Scotini


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Mondialisation de la Santé | Le Polygone Etoilé

An interdisciplinary thematic school of research entitled ”  Globalization of health: knowledge, practices and policies ” will take place in Marseille from 23 to 27 October 2017.

The term global health is now used by very diverse actors, from universities to industry to foundations, its polysemy is therefore equal to its ubiquity insofar as it denotes both the ” emergence, especially in the United States and Great Britain, of a real field of research and action than processes of the flow of goods, capital, people, knowledge and policies, all of which long term, even though the last thirty years have introduced enough breakthroughs so that we can talk about a new regime of the inter- and transnational government of health.

A screening of the Mafavuke film cycle will take place on 26 October at Le Polygone Etoilé cinema. The films include: The Crown against Mafavuke; Imbibizo Ka Mavafuke (Mafavuke’s Tribunal); Muthi, and will be shown in the presence of the director, Uriel Orlow

Le Polygone Etoilé, 1 rue François Massabo, 13002 Marseille.

Thursday, October 26, 2017, 7 pm


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In the Peaceful Dome | Bluecoat, Liverpool

In the Peaceful Dome is themed around transformation and continuity, time and time travel, and the intersection of the past and the future. The show will attempt to trace within this accumulation of history a continuum across time as culture shifts and the building itself undergoes profound change.  It raises questions about how the past informs the future and how art and arts venues might adopt a more civic role.

Including works by Roderick Bisson, Sean Borodale, Fanny Calder, Edward Carter Preston, Julia Carter Preston, Dan Coopey, Philip Courtenay & Yellow House, John Davies, Jacob Epstein, Edgar Grosvenor, The Grantchester Pottery, Janet Hodgson, Nathan Jones & Scott Spencer, Juniper Press, Sumuyya Khader, Donald Lynch, Joanne Masding, Syd Merrills, Grace Ndiritu, Uriel Orlow, William C. Penn, Jo Stockham, and Edmund Tan.


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