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The Battle of Coal | Sculpture Museum Glaskasten Marl

The Sculpture Museum Glaskasten Marl includes sculpture, video and sound art, which are also reflected in the exhibition. Two plants are to be newly produced for the exhibition with a special focus on the situation of the coal mining site Marl and the Ruhr area.

Denise Ritter will record noises underground and use them to create an electroacoustic sound installation. Another site-specific video work will also address the specific conditions and phenomena of coal mining. Jeremy Deller’s video work The Battle of Orgrave is a reflected re-enactment of the heated situation at the end of coal mining in England in the late 1980s. This emotionally highly charged work reflects the economic and social contradictions of Margret Thatcher’s politics, which show a clear contrast in comparison with the development in Germany. Steve McQueen has created a video that also causes a strong physical presence in the viewer: The mining journey of black African miners in 3. 000m depth is set in its tormenting physical urgency in the picture. Coleen Alborough has created a relief-like installation that conveys an imaginative picture of South African coal mining in small scale, which also allows a comparison to the situation of the now-ending coal mining in Germany. This work is supplemented with an abstract black and white video. The more or less conventional, metal worker sculptures from the collection of Werner Bibl form the plastic counterpart and frame to the virtual media. which also allows a comparison to the situation of the now-ending coal mining in Germany. This work is supplemented with an abstract black and white video. The more or less conventional, metal worker sculptures from the collection of Werner Bibl form the plastic counterpart and frame to the virtual media. which also allows a comparison to the situation of the now-ending coal mining in Germany. This work is supplemented with an abstract black and white video. The more or less conventional, metal worker sculptures from the collection of Werner Bibl form the plastic counterpart and frame to the virtual media.


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And suddenly it all blossoms | RIBOCA 2, Riga Biennial

RIBOCA2: and suddenly it all blossoms grew out of the urge to change our way of inhabiting the world through reaching out to other voices, sensibilities, and ways of making relationships. As an alternative to the deluge of hopeless narratives, the notion of re-enchantment became a frame for building desirable presents and futures, where the end of “a” world does not mean “the end of the world”. The present global circumstances resonate dramatically with the project and its urgent call for reinvention.


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Earthkeeping – Earthshaking | Galeria Quadrum, Lisbon

Group show curated by Giulia Lamoni and Vanessa Badagliacca.

In 1981, the American feminist art magazine Heresies dedicated its 13th edition to the relationships between feminism and ecology. Entitled “Earthkeeping / Earthshaking”, this edition featured contributions from authors of various nationalities, including art critic Lucy Lippard, artists Ana Mendieta, Faith Wilding, Bonnie Ora Sherk, Cecilia Vicuña and Michelle Stuart, as well as writer Gioconda Belli. Departing from the question “What can women do about the disastrous direction the world is taking?”, Heresies #13 intended to question the relationship between feminisms and ecology from multiple perspectives. Taking Heresies #13 as a starting point and as a historical and political archive capable of stimulating a fertile reflection on the triangulation between art, ecology and feminisms, the exhibition Earthkeeping / Earthshaking aims to affirm the pioneering role played by numerous artists in this specific context and, at the same time, analyse the potential of their ideas today.


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Critical Zones | ZKM, Karlsruhe

For a long time the reactions of Earth to our human actions remained unnoticed, but in recent times with the protest movement Fridays for Future climate crisis has moved into public consciousness. The thought exhibition »CRITICAL ZONES« invites us to deal with the CRITICAL situation of the Earth in various ways and to explore new modes of coexistence between all forms of life. Curatorial Team: Bruno Latour, Peter Weibel, Martin Guinar, Bettina Korintenberg

 


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