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The Battle of Coal | Sculpture Museum Glaskasten Marl

The Sculpture Museum Glaskasten Marl includes sculpture, video and sound art, which are also reflected in the exhibition. Two plants are to be newly produced for the exhibition with a special focus on the situation of the coal mining site Marl and the Ruhr area.

Denise Ritter will record noises underground and use them to create an electroacoustic sound installation. Another site-specific video work will also address the specific conditions and phenomena of coal mining. Jeremy Deller’s video work The Battle of Orgrave is a reflected re-enactment of the heated situation at the end of coal mining in England in the late 1980s. This emotionally highly charged work reflects the economic and social contradictions of Margret Thatcher’s politics, which show a clear contrast in comparison with the development in Germany. Steve McQueen has created a video that also causes a strong physical presence in the viewer: The mining journey of black African miners in 3. 000m depth is set in its tormenting physical urgency in the picture. Coleen Alborough has created a relief-like installation that conveys an imaginative picture of South African coal mining in small scale, which also allows a comparison to the situation of the now-ending coal mining in Germany. This work is supplemented with an abstract black and white video. The more or less conventional, metal worker sculptures from the collection of Werner Bibl form the plastic counterpart and frame to the virtual media. which also allows a comparison to the situation of the now-ending coal mining in Germany. This work is supplemented with an abstract black and white video. The more or less conventional, metal worker sculptures from the collection of Werner Bibl form the plastic counterpart and frame to the virtual media. which also allows a comparison to the situation of the now-ending coal mining in Germany. This work is supplemented with an abstract black and white video. The more or less conventional, metal worker sculptures from the collection of Werner Bibl form the plastic counterpart and frame to the virtual media.


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Ground Zero | MMASC, Amarante, Portugal

Ground Zero takes the ground as its starting point—a place where memories are inscribed, narratives are brought to life, and new beginnings are envisioned. The works invite a sensitive and critical examination of historical legacies, social and ecological issues, and the possibilities for transformation, suggesting a space for reflection, regeneration, and collective creation.

Group exhibition curated by Black Atlas, with works by Catarina Leitão, Cristina Ataíde, Jermay Michael Gabriel, Marcelo Moscheta, Mónica de Miranda, Nii Obodai, Nithya Iyer, Susana Anángua, Marta Machado and Sofia Yala


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Small Wonders: Reimagining British Art | Williamson Art Gallery & Museum, London

In 1951, the Festival of Britain acted as a beacon of post-war hope, launching a landmark touring exhibition that brought world-class art to local museums and art centres across the UK. Seventy-five years later, Hayward Gallery Touring honours this legacy with Small Wonders: Reimagining British Art, a contemporary reimagining of that original vision.

The exhibition brings together 50 acclaimed artists who have participated in the British Art Show – the UK’s definitive five-year curated survey of contemporary art – since its inception in 1979. Taking inspiration from Marcel Duchamp’s Boîte-en-valise – a “portable museum” contained within a suitcase – each artist has created a new, small-scale work that responds to their original British Art Show presentation. The result is a condensed yet expansive overview of a half-century of British art history.

With works by Abake, Tomma Abts, Caroline Achaintre, Simeon Barclay, Zarina Bhimji, Kathrin Böhm, Frank Bowling, Pablo Bronstein, Andrea Büttner, Varda Caivano, Ergin Çavuşoğlu, Michael Craig-Martin, Nicholas Deshayes, Mandy El-Sayegh, Doug Fishbone, Martino Gamper, and many others.


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SIBYLLA | Art Basel, Switzerland

SIBYLLA unfolds as an exhibition, curated by Sónia Taborda and Joerg Bader, that evokes the Latin name as a way of thinking about human connection beyond time.

A performance by Uriel Orlow unfolds in parallel with his presentation at the Giardini of La Biennale di Venezia, extending its conceptual and sensory inquiry into the context of Basel.

Developed in collaboration with Maria João Pires and Martin Masan, music curators of the project, the work takes place in the garden, where musicians perform with and for plants, activating a subtle dialogue between human and more-than-human forms of listening.

Date and Location
Tuesday June 16, 2026
6 pm
Gellertgut Park
Gellertstrasse 33
4052 Basel


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Mangoes & Meaning | Museum of Goa, India

Uriel Orlow is presenting Mangoes of Goan Origin (An Archive) as part of the group show Mangoes and Meaning: Histories, Ecologies and Cultural Imagination at Museum of Goa.

Expect to encounter the mango in ways you may not have before. After all, this isn’t just any fruit-it’s aam, the common thread that connects us all. This exhibition brings together personal, cultural, ecological, and communal perspectives, reflecting on what it means to grow a mango, to sit in the shade of its tree, to share it with neighbours, and to spend long summers in its presence. The exhibition explores how this fruit becomes a symbol of place, of season, and of belonging.


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Ground Zero | SNBA, Lisbon, Portugal

Ground Zero takes the ground as its starting point—a place where memories are inscribed, narratives are brought to life, and new beginnings are envisioned. The works invite a sensitive and critical examination of historical legacies, social and ecological issues, and the possibilities for transformation, suggesting a space for reflection, regeneration, and collective creation.

Group exhibition curated by Black Atlas, with works by Catarina Leitão, Cristina Ataíde, Jermay Michael Gabriel, Marcelo Moscheta, Mónica de Miranda, Nii Obodai, Nithya Iyer, Susana Anángua, Marta Machado and Sofia Yala


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