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Healing | Czech Centre, Berlin

The exhibition Healing (Healing in the active and passive sense of the word) is based on the fact that personal health and a healthy way of life in today’s society (above all, but not only in the western world) is such a highly valued asset. that the pursuit of health sometimes seems almost cultic. The definition of “being healthy” is different in different cultures, and the healing methods and procedures are different.

Medicine, healing and therapy will be addressed, taking into account the existence of certain tensions and paradoxes: be they interfaces between rationality and belief, between science and magic, between healing applications and rituals, or between natural and artificial substances or aids. In today’s globalized world, it is often not easy to draw a clear line between what is modern and progressive (qualities that we can associate with the development of technologies, science, chemistry, etc.) and what is in essence originated in a long tradition (which in turn is based on inherited knowledge, natural sources, but also on collective rituals and non-rational beliefs).

From the perspective of contemporary art, the exhibition as a whole intends to present various current perspectives on the topic of healing and health, thus placing the complex of issues in broader social, political and economic contexts. The fact that the exhibition builds on the tension between rational and irrational aspects of healing is a consequence of her concern to point out the close connection between these opposing aspects, which in the final analysis can not be separated.

The exhibition is organized by the Jindřich-Chalupecký-Gesellschaft and presents mainly young Czech artists in an international context, among them also selected winners and finalists of the Jindřich-Chalupecký Prize.

Curated by Tereza Jindrová

Exhibiting artists: Jana Doležalová, Marco Donnarumma, Romana Drdova, Jakub Jansa, Barbora Kleinhamplová, Martin Kohout, Uriel Orlov, Johana Střížková, Miroslava Večeřová & Pavel Příkaský


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YOU NEVER KNOW THE WHOLE STORY | Kunstmuseum, Bern

With this exhibition, the Kunstmuseum Bern gives a subjective insight into the most important artistic trends since the beginning of the new media age.

With works by Judith Albert, Max Almy, Hanspeter Ammann, Knut Åsdam, Klaus vom Bruch, Balthasar Burkhard, Dimitri Devyatkin, Herbert Distel, AK Dolven, Chris Evans, Peter Fischli / David Weiss, Kit Fitzgerald, Herbert Fritsch, Michael von Graffenried, Luzia Hürzeler, Ute Friederike Juerz, Jutta Koether, Jochen Kuhn, Muriel Kunz, Maria Lassnig, Les Levine, Mark Lewis, Carlo E. Lischetti, MadeIn Company, Cory McCorkle, Gerald Minkoff, Tatsuyo Miyajima, Irene Muñoz Martin, Muriel Olesen, Uriel Orlov, May-Thu Perret, Elodie Pong, Sean Scully, René Pulfer, Markus Raetz, Pamela Rosary, Christoph Rütimann, Francisco Sierra, Tom Skapoda, Edin Velez, Christian Vetter, Bill Viola, Anna Winteler, Camilo Yañez.


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Kunstszene Zürich | Helmhaus

A group exhibition featuring works by Ian Anüll, Istvan Balogh, Sabian Baumann, Vanessa Billy, Sandra Boeschenstein, Reto Boller, Anton Bruhin, Brigitte Dätwyler, Cédric Eisenring, Robert Estermann, Garret Nelson, Florian Germann, Patrick Graf, Michéle Graf & Selina Grüter, Colin Guillemet, Raphael Hefti, Cécile Huber, Thomas Julier, San Keller, Franziska Koch, Petra Köhle / Nicolas Vermot Petit-Outhenin, Miriam Laura Leonardi, Tobias Madison, Fabian Marti, Media Group Bitnik, Dieter Meier, Mélodie Mousset, Jos Näpflin, Yves Netzhammer, Uriel Orlow, Elodie Pong, Jessica Pooch, RELAX chiarenza & hauser & co, Riika Tauriainen, Romy Rüegger, Karin Sander, Katja Schenker, Doris Stauffer, Eva Stürmlin, and Sebastian Utzni.


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Choreography of the Frame | Kunsthalle Exnergasse, Vienna

The exhibition Choreography of the Frame investigates and negotiates positions and strategies of image production – through conceptual or technical frameworks and shifts in the context of photography and moving image, images and statements are redefined and re-contextualised. The dissolution of established genre ascriptions, borders, and frameworks by individual artistic practices and strategies calls for a re-examination of the image.

Be it an enlarged photograph that takes on the dimensions of a wall or a space, a photograph that is folded into a sculpture, a photographic or filmic work that expands the mise-en-cadre to include or thematise the underlying conditions of image production – in all of the exhibited works the conventions are suspended, while the production process itself and its mechanisms, logics, and conditions are brought into focus.

With works by Marwa Arsanios, Gwenneth Boelens, Maia Gusberti, Yasmina Haddad, Herbert Hofer, Tatiana Lecomte, Gabriela Löffel, Claudia Märzendorfer, Charlotte Moth, Uriel Orlow, Pascal Petignat / Martin Scholz, Klaus Scherübel, Michaela Schwentner, Lina Selander

Curated by Maia Gusberti and Michaela Schwentner


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Grey, Green, Gold (and Red) | Manifesta 12, Palermo

The lecture performance Grey, Green, Gold (and Red) considers plants and gardens as active agents in politics. Following human-plant entanglements, Grey, Green, Gold (and Red) explores the role played by the garden Nelson Mandela and his fellow inmates planted on Robben Island prison during their 18-year incarceration, the implications of an ongoing battle between a flower and a squirrel, as well as the fate of alien species in Europe and South Africa.


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Art & Film | Nona, Mechelen

In collaboration with Filmhuis Mechelen and Academie Mechelen, in the context of  Un | arranged, a screening of 7 fascinating short films in which the theme of displacement – the feeling of being uprooted, degenerated, being somewhere other than what one experiences as home – plays an important role plays.

Curated by Hans Martens director of Academy Mechelen, and Fleur van Muiswinkel artistic coordinator visual arts and performing arts, NONA.


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