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Document Bilingue | Mucem, Marseille

Following the residencies and preparatory workshops that began in 2015, artists and researchers are presenting an unprecedented rousing of the Mucem’s collections through Bilingual document: a dual exhibition presented at Fort SaintJean and the Centre for Conservation and Resources, featuring a sound walk that links the two sites and a book.

The Mucem houses in its reserves the collections from the former Musée National des Arts et Traditions Populaires, created in 1937 by Georges Henri Rivière. Artisanal or preindustrial vestiges of a bygone era, the objects assembled here are the bounty of methodical collections conducted during field surveys, enriched by objects acquired since the opening of the museum. The question of the dual nature of the object, split between popular art and scientific discourse, was at the heart of Rivière’s project. But what about these collections now dormant in the Mucem’s reserves? An uneasy feeling seizes visitors at the sight of these curious and sometimes obsolete time capsules. While a few objects may be called upon for a specific exhibition, how can we mobiliser the collection in a more general way within the framework of a museum of civilisation? How can we activate a document, even make it perform, by reflecting its bilingual nature: an object with an aesthetic or poetic status, while also testifying to its ethnographic value? Could art be, paradoxically, the way of reviving these trophies?

Including works by Jean-François Chougnet, Yo Barrada, Omar Berrada and M’barek Bouhchichi, Jean-Roch Bouiller, Marie-Charlotte Calafat, Erik Bullot, Sabrina Grassi, Yaël Kreplak, Franck Leibovici, Florent Molle, Uriel Orlow, Abril Padilla and Pascal Riviale.

Curated by Sabrina Grassi and Guest Curator Erik Bullot


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Garden of Earthly Delights | Gropius Bau, Berlin

In this large-scale group exhibition, artists including Pipilotti Rist, Rashid Johnson, Maria Thereza Alves, Uriel Orlow, Jumana Manna, Taro Shinoda and Heather Phillipson interpret the motif of the garden as a metaphor for the state of the world and as a poetic expression to explore the complexities of our increasingly precarious world. Their artworks open up a wider discourse on social, political and ecological phenomena, such as migration, gentrification and gender politics. In addition to common understanding of the garden as a place of yearning full of meditative, spiritual and philosophical possibilities, the exhibition will tread the line between reality and fantasy, harmony and chaos, beauty and exile.

External link here

Focus: Uriel Orlow | VideoEx, Zurich

Videoex, the largest Experimental Film & Video Festival in Switzerland, is celebrating its 21st edition this year. A special programme on the 26th and 30th of May focused on the work of Uriel Orlow will be screened.

Sunday 26.05. 17:45
CH-Fokus Uriel Orlow I
Theatrum Botanicum

Thursday 30.05. 21:15
CH-Fokus Uriel Orlow II
The Future is History /
History is the Future

Sunday 26.05. 20:00
Talk with the artist

External link here

Fold II: Digital Dramatisations: Ecologies from the Future

Across two exhibition venues, the Centre for Contemporary Art ‘Ancient Bath’ and the former tobacco warehouse SKLAD in Plovdiv, Bulgaria.

With works by Donatella Bernardi, Ursula Biemann, Luchezar Boyadjiev, Johanna Bruckner, Sarah Burger, Delphine Chapuis Schmitz, Valko Chobanov, Voin de Voin & Marie Civikov, Jonas Etter, Anne-Laure Franchette, Monica Ursina Jäger, Stefanie Knobel, Marlene Maier, Boyan Manchev with Ani Vaseva and Leonid Yovchev (Metheor), Emil Mirazchiev, Uriel Orlow, Ursula Palla, Lourenço Penaguião Soares, Elodie Pong, Oliver Ressler, Tabita Rezaire, Dorothea Rust, Elza Sile, Kerstin Schroedinger, Pascal Schwaighofer, Venelin Shurelov, Sandro Steudler, Kamen Stoyanov, Milva Stutz, Katharina Swoboda, Una Szeemann / Bohdan Stehlik, Riikka Tauriainen, Lena Maria Thüring, Alexander Tuchaček, Borjana Ventzislavova, and Martina-Sofie Wildberger.

With interventions and talks by the philosophers Boyan Manchev, Stanimir Panayotov, and Gerald Raunig.

External link here