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Exhibitions

Critical Zones | Science Gallery, Bengaluru

The Exhibition Critical Zones. In Search of a Common Ground will be on display at the Science Gallery Bengaluru from February 16 to March 17, 2024. For a long time the reactions of Earth to our human actions remained unnoticed, and have now finally – not least due to recent international climate protests – moved into public consciousness. The exhibition project Critical Zones invites visitors to engage with the critical situation of the Earth in a novel and diverse way and to explore new modes of coexistence between all forms of life.

The travelling exhibition was conceived and first exhibited at ZKM | Center for Art and Media Karlsruhe (2020-2022) based on a concept by Bruno Latour and Peter Weibel.

With works by Ravi Agarwal, Alexandra Arènes, Heinrich Karl Wilhelm Berghaus, Cemelesai Dakivali, Rohini Devasher, Martin Dornberg, Daniel Fetzner, Forensic Architecture, Soheil Hajmirbaba, Pauline Julier, Armin Linke, James Lovelock, Sonia Lévy, Lynn Margulis, Anuradha Mathur, Sonia Mehra Chawla, Edith Morales, Rasa Smite, Stephane Verlet-Bottéro and Dilip da Cunha.


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The One Straw Revolution | Framer Framed, Amsterdam

From 11 February to 19 May 2024, Framer Framed is proud to present the exhibition The One-Straw Revolution, curated by iLiana Fokianaki. The first realisation of Fokianaki’s research into permaculture as a model for exhibition-making, The One-Straw Revolution takes the form of an alternative ecology, exploring sustainable futures through artistic practices that call for de-growth.

With works by Edgar Calel, Kyriaki Goni, Irene Kopelman, Eliana Otta, Bik Van der Pol, Citra Sasmita, Denise Ferreira da Silva with Arjuna Neuman, Nora Severios and Himali Singh Soin.


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Re-Imagining the Past | Musée Théodore Monod, Dakar

Reimagining the Past departs from the imaginary as a means of rethinking current realities. The project proposes a future from a precolonial perspective to open our eyes to a polyperspective narratives and conceptual approaches. Artists and researchers from the African continent, the diaspora and Europe, will collaborate and theorise together in “LABoratoires”, exploring the poetic power of artistic practice and imagination.

“Ré-imaginer le passé” is both a laboratory and exhibition project. The German-Senegalese curatorial team, comprised of El Hadji Malick Ndiaye, Mahret Ifeoma Kupka, Isabel Raabe and Ibou C. Diop, will host labs in Dakar and in digital space. The results will culminate in exhibitions at the Musée Théodore Monod in Dakar and the KINDL Center for Contemporary Art in Berlin.

With works by Nikita Dhawan, Viyé Diba, Nathalie Anguezomo Mba Bikoro, Mansour Ciss Kanakassy, Elsa M’Bala, Ibrahima Thiam, Caroline Gueye, Alibeta, Fatou Kandé Senghor and María do Mar Castro Varela.


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Stranger in the Village | Aargauer Kunsthaus

In his famous text Stranger in the Village, the US-American writer James Baldwin addressed the racism that informed his stay in Switzerland in the 1950s. Baldwin’s words continue to inspire many artists to this day. They hold up a mirror to us as a society and have lost none of their relevance. The group exhibition explores belonging and exclusion through current works by local and international artists, raising questions that concern us all.

With works by Igshaan Adams, Judith Albert, Joshua Amissah, Luc Andrié, Kader Attia, Maria Auxiliadora da Silva, Omar Ba, James Bantone, Sabian Baumann, Denise Bertschi, Notta Caflisch, Vincent O. Carter, Ishita Chakraborty, Marlene Dumas, Tatjana Erpen, Hanny Fries, Klaus Hennch, Jonathan Horowitz, Sasha Huber, Hans Josephsohn, Laura Kingsley, Vincent Kohler, Pierre Koralnik, Namsa Leuba, Glenn Ligon, André M’Bon, Gianni Motti, Sirah Nying, Senam Okudzeto, Uriel Orlow, Frida Orupabo, Ceylan Öztrük, Markus Raetz, Petri Saarikko, Niki de Saint Phalle, Lorna Simpson, Martine Syms, Olga Titus, Carrie Mae Weems.


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Beyond Water | Reconnecting Earth Biennial II, Geneva

The second edition of the (re)connecting.earth biennial of art and urban nature aims to (re)focus attention on the natural elements that make up our urban environment. After exploring urban gardens and eco-neighbourhoods in 2021, the 2023 biennial of art and urban nature is taking shape around the theme of lakes and water. Curated by Bernard Vienat with works by Maria Thereza Alves, Caroline Bachmann, Flurina Badel & Jérémie Sarbach, Mauren Brodbeck, Seba Calfuqueo, Luis Camnitzer, Gabo Camnitzer & Lluís Alexandre Casanovas Blanco, Julian Charrière, Collectif Tchan-Zâca, Andreas Greiner & Takafumi Tsukamoto, Valérie Favre, Anne-Laure Franchette & Manon Briod, Marie Griesmar, Hans Haacke, Christina Hemauer & Roman Keller, Monica Ursina Jäger, Alexandre Joly, Diana Lelonek, Diana Lelonek & Denim Szram, Antje Majewski, Adrien Missika, Uriel Orlow, Carmen Perrin, Som Supaparinya, Raul Walch, Pinar Yoldas, Zheng Bo


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Future Plants | ETH Zurich

The future of our plants is one of the greatest challenges facing humanity. How do 15 artists respond to this current discourse and the future of plants? What is the future of plants and their interaction under the drought conditions of climate change? Should plants and production systems be redesigned or diversified for climate adaptation? Will they lose their nutrients? Can our soil, seeds, and water be preserved? In this exhibition, 15 well-known artists reflect on these questions together with researchers in the greenhouse of the SAE Sustainable Agroecology Group at ETHZ.


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Chaleur Humaine | Dunkerque Triennale

Chaleur humaine, the second Art & Industry Triennial, will unfold over the second half of 2023 in Dunkirk and throughout the Hauts-de-France region. This year’s event will explore the issue of energy. To tackle this far-reaching topic, Triennial initiators and organizers the Frac Grand Large and the LAAC—collectively Le Pôle Art Contemporain de Dunkerque—have invited two independent exhibition curators: Anna Colin and Camille Richert, assisted by Henriette Gillerot. Their curatorial brief focuses on observing how energy challenges arising since the mid-1970s have impacted art, design and architecture, and, conversely, how these fields have shaped challenges, reflections and debates linked to energy, the environment and the planet. The wide ranging works on display will invite onlookers to discover practices linked to excess energy consumption; access to natural resources; issues related to sustainability and environmental responsibility; the transformation of landscapes and people’s relationships with their visible and perceptible surroundings; the ongoing tug-of-war between forces and fatigue in the living world; and the flow of data and energy.


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The Glass City | Radius CCA, Delft

Located on the North Sea coast between Delft, The Hague, and Hook of Holland is a region where there are no seasons and the sky glows orange at night. This is the Westland: once an agglomeration of farming villages whose mild climate and clay soils made it home to grapevines and potato fields. The Westland is now the world’s largest continuous area of glasshouses, all 2,300 hectares of them. The grapes and potatoes have given way to high-tech agribusiness and intensive cultivation, mainly of fruit, vegetables, cut flowers, and ornamental plants. The exhibition THE GLASS CITY explores the Westland through the work of eight artists. It provides insights into the relationship between agriculture and technological innovation and transformation, the balance between natural and artificial, economy and ecology, and the future of food production.


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Common Ground | Weiertal Biennale

Juchart, 2049

Curated by Sabine Rusterholz Petko with works by Brigham Baker, Vanessa Billy, Nicolas Buzzi und Harmony, Ishita Chakraborty, Sam Falls, Dorota Gawęda & Eglė Kulbokaitė, Sarah Hablützel & Marko Mijatovic, Dunja Herzog, Thomas Julier, Hanne Lippard, Lithic Alliance, Martina Lussi, Thi My Lien Nguyen, Uriel Orlow, Reto Pulfer, Miriam Rutherfoord & Joke Schmidt, Raul Walch.


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Parlament of Plants II | Kunstmuseum Liechtenstein

Uriel Orlow, Reading Wood (Backwards)

The exhibition Parliament of Plants II  testifies to a new view of plants, which are inextricably linked with our own survival, with works by Polly Apfelbaum, Ursula Biemann, Anna Hilti, Alevtina Kakhidze, Jochen Lempert, Rivane Neuenschwander & Mariana Lacerda, Uriel Orlow, Silke Schatz, Thomas Struth, Athena Vida, Miki Yui, Zheng Bo. Over the past decades, a paradigm shift has been taking place in the sciences regarding our perception of plants, one that is also reflected in the exhibition’s artworks. Parliament of Plants II demonstrates the principle of symbiosis as a societal counter-image to the parasitic handling of nature. New insights regarding the world of plants feature alongside knowledge of Indigenous cultures, questions pertaining to colonial and contemporary history, the handling of resources or our perception of time. The crucial question is: how can we achieve a symbiotic coexistence in which human and non-human beings can learn from each other? The main themes of two ‘raised stands’ are Michel Serres’ Natural Contract and Lynn Margulis’ theory of symbiosis. Co-curated by Christiane Meyer-Stoll with Hans-Jörg Rheinberger, molecular biologist and historian of science.

The exhibition includes two inserts, a project space in the side-light gallery and a wide range of further collaborations and cooperations: Insert I: Politics of Plants
curated by Linda Schädler, head of ETH’s Prints and Drawings Collection, Zurich, with works by Mireille Gros, Matthew Day Jackson, Monica Ursina Jäger, Daniela Keiser, Pascal Schwaighofer, Melanie Smith, Sebastian Utzni. Insert II: Plants_Intelligence. Learning like a Plant, a research project at the Institute Art Gender Nature, Academy of Art and Design FHNW, Basel, with the support of the Swiss National Science Foundation with works by Felipe Castelblanco, Julia Mensch, Rasa Smite, Raitis Smits.


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Spora | Swiss Institute, New York

In May 2023, Swiss Institute launched Spora, a curatorial initiative centered in SI’s institutional imperative to integrate environmental consciousness and climate action into all facets of the institution. Like spores spreading throughout the physical structure of our building and permeating the immaterial processes of SI,Spora is an experiment that explores what a practice of environmental institutional critique could be.

With works by Raven Chacon, Lee Mary Manning, Hendl Helen Mirra, Christian Nyampeta with Cass Nakashima, Jenna Sutela and Vivian Suter.

Spora is made possible by Teiger Foundation. Additional support is provided by the Consulate General of Finland in New York City. The project is organized by Stefanie Hessler, Director, Alison Coplan, Chief Curator, and KJ Abudu, Assistant Curator.

 


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Print is a Battlefield | Museo Villa Dei Cedri, Bellinzona, Switzerland

75 year anniversary exhibition of VFO (Verein für Originalgraphik, Zurich) curated by David Khalat with print projects by Luigi Archetti, Walead Beshty, Vanessa Billy, Julian Charrière, Valérie Favre, Sylvie Fleury, Pia Fries, Louisa Gagliardi, Raphael Hefti, Federico Herrero, Bethan Huws, Zilla Leutenegger, Uriel Orlow, Carmen Perrin, Karin Sander, Denis Savary, Elza Sīle and Selina Trepp.


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The Measure of the World | Radius CCA, Delft

THE MEASURE OF THE WORLD, revolves around the ghosts of Western Enlightenment thinking and the relationship between science, truth-finding and the consequential creation of worldviews. With the work of fifteen artists, the exhibition forms a conversation starter for the NATURECULTURES year program and presents a first counterpoint to the current crises that bear witness to the perverse reality of modernism. Participating artists: Karl Blossfeldt, Madison Bycroft, Filipa César & Louis Henderson, Laura Huertas Millán, Esther Kokmeijer, Sasha Litvintseva & Beny Wagner, Claudia Martínez Garay, Pedro Neves Marques, Tuan Andrew Nguyen, Uriel Orlow, Andrew Pekler & Kiwi Stefanie Menrath, Erik Peters, Jol Thoms


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PhotoKTM 5 | Photo Circle Kathmandu

Uriel Orlow, What Plants Were Called Before They Had a Name (Guatemala)

The 5th edition of the festival will platform visual projects, and learning initiatives by a range of participants including artist, curator and teacher Munem Wasif from Bangladesh; Swiss artist and writer Uriel Orlow; Kathmandu-based digital archive Nepal Picture Library; KTK-Belt Project, which works towards catalyzing new models of biodiversity conservation and environmental learning in eastern Nepal; Indian filmmaker Sriram Murali; The Feather Library – an initiative co-founded by Isha Munshi to document, identify and study feathers of Indian birds; artist and writer Alana Hunt from Miriwoong country in the north-west of Australia; Mexican/British multidisciplinary visual artist Monica Alcazar Duarte; Indian filmmaker Amar Kanwar; and author, art curator, filmmaker, and theorist of photography and visual culture, Ariella Azoulay, among others.


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Unexpected Encounters | Kunstmuseum St Gallen

Up Up Up at Kunstmuseum St Gallen Photo by Stefan Altendorfer.

The exhibition Unexpected Encounters: New Perspectives on the Collection contrasts familiar works from the collection with artists from outside the collection. It thus offers a broader perspective and breaks with conventional readings of key works at the museum. Curated by Gianni Jetzer and Melanie Bühler with works by Marion Baruch, Martha Cunz, Per Kirkeby, Sherrie Levine, Johanna Nissen-Grosser, Uriel Orlow, Nam June Paik, Richard Serra, Sturtevant.


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