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Exhibitions

Ré-imaginer le passé | Kindl, Berlin

This group exhibition developed in Dakar offers a fresh perspective on the past and creates spaces for alternative forms of knowledge and knowledge transfer. In their installations, photographs and objects, participating artists explore how a decolonial perspective can shape our vision of the future.
Ré-imaginer le passé was first showcased at Musée Theodore Monod in Dakar in 2023. It is part of the TALKING OBJECTS LAB – a series of exhibitions, artist residencies and events held in Senegal, Kenya, Germany and other countries since 2020.

Curated by Mahret Ifeoma Kupka, Isabel Raabe, Ibou C. Diop and Malick Ndiaye.

With works by Elsa M’Bala, Fatou Kandé Senghor, Caroline Gueye, Nathalie Anguezomo Mba Bikoro, Ibrahima Thiam, Viyé Diba, Mansour Ciss Kanakassy, baobab création, C& Center of Unfinished Business


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Ré-imaginer le passé | Kindl, Berlin

This group exhibition developed in Dakar offers a fresh perspective on the past and creates spaces for alternative forms of knowledge and knowledge transfer. In their installations, photographs and objects, participating artists explore how a decolonial perspective can shape our vision of the future.
Ré-imaginer le passé was first showcased at Musée Theodore Monod in Dakar in 2023. It is part of the TALKING OBJECTS LAB – a series of exhibitions, artist residencies and events held in Senegal, Kenya, Germany and other countries since 2020.

With works by Elsa M’Bala, Fatou Kandé Senghor, Caroline Gueye, Nathalie Anguezomo Mba Bikoro, Ibrahima Thiam, Viyé Diba, Mansour Ciss Kanakassy, baobab création, C& Center of Unfinished Business


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1000écologies | Utopiana, Geneva

1000écologies is a platform that makes visible the links created by Utopiana through its workshops, residencies and events. It has three components: proposing, exhibiting and displaying. It’s like scaffolding, built up over time and from project to project, creating bridges between different approaches and disciplines.

This new edition of 1000écologies, entitled Ces jours terrestres, is a month-long journey organised by Utopiana, in collaboration with several partners, which gives its audience the opportunity to develop skills to re-inhabit our living spaces, to think about our relationships, our affects and our imaginations.

With woks by Marianne Villière, Ocean Schanz, Angeles Rodriguez, Raqs Media Collective, Rachel Maisonneuve, Christine Mackey, Jérôme Leuba & Marie Velardi, Collectif Hydromondes, Axelle Gregoire, Toma Gouband and many others.


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A Propos Hodler | Kunsthaus Zurich

The Kunsthaus Zürich examines the contemporary relevance of Switzerland’s ‘national artist’, Ferdinand Hodler. ‘Apropos Hodler’ counters one-sided interpretations with the rich diversity of the painter’s formal, cultural and political impact, and sets out to view the old and familiar with new eyes. Works by more than 30 contemporary artists are juxtaposed with some 50 paintings by the Swiss icon.

With works by Asim Abdulaziz, Laura Aguilar, Caroline Bachmann, Sabian Baumann, Denise Bertschi, Ishita Chakraborty, Andriu Deplazes, Latifa Echakhch, Eva Egermann & Cordula Thym, Marianne Flotron and many others.


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Eight Degrees | Bildmuseet, Umeå

This exhibition brings together contemporary art exploring our complex relationships with the forest, ranging from ideas of an inviolable intrinsic value to the conception of something to be utilised, such as an economic asset or a space for recreation. What is a forest? And what pressing questions about it are relevant here and now?

Through photography, film, sculpture, drawing, textiles, sound and installations, artists, an architect and a storyteller invite us to reflect on the forest, observed and depicted from various perspectives and with diverse experiences. Their works provoke questions about tradition and future, forestry practices, land conflicts, biological diversity and the forest as a sacred space.

With works by Matti Aikio, Malin Arnell & Åsa Elzén, Gerd Aurell & Micael Norberg, Toms Kokins, Norrakollektivet (Anja Örn, Fanny Carinasdotter, Tomas Örn), Elia Nurvista, Edith Marie Pasquier, Jörgen Stenberg and Lena Ylipää.

Critical Zones | Goethe-Institut, Max Mueller Bhavan New Delhi

The Exhibition Critical Zones. In Search of a Common Ground will be on display at the Goethe-Institut / Max Mueller Bhavan New Delhi from Saturday, 3 February until Sunday, 3 March 2024.

For a long time the reactions of Earth to our human actions remained unnoticed, and have now finally – not least due to recent international climate protests – moved into public consciousness. The exhibition project Critical Zones invites visitors to engage with the critical situation of the Earth in a novel and diverse way and to explore new modes of coexistence between all forms of life.

The travelling exhibition was conceived and first exhibited at ZKM | Center for Art and Media Karlsruhe (2020-2022) based on a concept by Bruno Latour and Peter Weibel.

With works by Ravi Agarwal, Alexandra Arènes, Heinrich Karl Wilhelm Berghaus, Cemelesai Dakivali, Rohini Devasher, Martin Dornberg, Daniel Fetzner, Forensic Architecture, Soheil Hajmirbaba, Pauline Julier, Armin Linke, James Lovelock, Sonia Lévy, Lynn Margulis, Anuradha Mathur, Sonia Mehra Chawla, Edith Morales, Rasa Smite, Stephane Verlet-Bottéro and Dilip da Cunha.


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Critical Zones | Science Gallery, Bengaluru

The Exhibition Critical Zones. In Search of a Common Ground will be on display at the Science Gallery Bengaluru from February 16 to March 17, 2024. For a long time the reactions of Earth to our human actions remained unnoticed, and have now finally – not least due to recent international climate protests – moved into public consciousness. The exhibition project Critical Zones invites visitors to engage with the critical situation of the Earth in a novel and diverse way and to explore new modes of coexistence between all forms of life.

The travelling exhibition was conceived and first exhibited at ZKM | Center for Art and Media Karlsruhe (2020-2022) based on a concept by Bruno Latour and Peter Weibel.

With works by Ravi Agarwal, Alexandra Arènes, Heinrich Karl Wilhelm Berghaus, Cemelesai Dakivali, Rohini Devasher, Martin Dornberg, Daniel Fetzner, Forensic Architecture, Soheil Hajmirbaba, Pauline Julier, Armin Linke, James Lovelock, Sonia Lévy, Lynn Margulis, Anuradha Mathur, Sonia Mehra Chawla, Edith Morales, Rasa Smite, Stephane Verlet-Bottéro and Dilip da Cunha.


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The One Straw Revolution | Framer Framed, Amsterdam

From 11 February to 19 May 2024, Framer Framed is proud to present the exhibition The One-Straw Revolution, curated by iLiana Fokianaki. The first realisation of Fokianaki’s research into permaculture as a model for exhibition-making, The One-Straw Revolution takes the form of an alternative ecology, exploring sustainable futures through artistic practices that call for de-growth.

With works by Edgar Calel, Kyriaki Goni, Irene Kopelman, Eliana Otta, Bik Van der Pol, Citra Sasmita, Denise Ferreira da Silva with Arjuna Neuman, Nora Severios and Himali Singh Soin.


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Re-Imagining the Past | Musée Théodore Monod, Dakar

Reimagining the Past departs from the imaginary as a means of rethinking current realities. The project proposes a future from a precolonial perspective to open our eyes to a polyperspective narratives and conceptual approaches. Artists and researchers from the African continent, the diaspora and Europe, will collaborate and theorise together in “LABoratoires”, exploring the poetic power of artistic practice and imagination.

“Ré-imaginer le passé” is both a laboratory and exhibition project. The German-Senegalese curatorial team, comprised of El Hadji Malick Ndiaye, Mahret Ifeoma Kupka, Isabel Raabe and Ibou C. Diop, will host labs in Dakar and in digital space. The results will culminate in exhibitions at the Musée Théodore Monod in Dakar and the KINDL Center for Contemporary Art in Berlin.

With works by Nikita Dhawan, Viyé Diba, Nathalie Anguezomo Mba Bikoro, Mansour Ciss Kanakassy, Elsa M’Bala, Ibrahima Thiam, Caroline Gueye, Alibeta, Fatou Kandé Senghor and María do Mar Castro Varela.


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Stranger in the Village | Aargauer Kunsthaus

In his famous text Stranger in the Village, the US-American writer James Baldwin addressed the racism that informed his stay in Switzerland in the 1950s. Baldwin’s words continue to inspire many artists to this day. They hold up a mirror to us as a society and have lost none of their relevance. The group exhibition explores belonging and exclusion through current works by local and international artists, raising questions that concern us all.

With works by Igshaan Adams, Judith Albert, Joshua Amissah, Luc Andrié, Kader Attia, Maria Auxiliadora da Silva, Omar Ba, James Bantone, Sabian Baumann, Denise Bertschi, Notta Caflisch, Vincent O. Carter, Ishita Chakraborty, Marlene Dumas, Tatjana Erpen, Hanny Fries, Klaus Hennch, Jonathan Horowitz, Sasha Huber, Hans Josephsohn, Laura Kingsley, Vincent Kohler, Pierre Koralnik, Namsa Leuba, Glenn Ligon, André M’Bon, Gianni Motti, Sirah Nying, Senam Okudzeto, Uriel Orlow, Frida Orupabo, Ceylan Öztrük, Markus Raetz, Petri Saarikko, Niki de Saint Phalle, Lorna Simpson, Martine Syms, Olga Titus, Carrie Mae Weems.


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Beyond Water | Reconnecting Earth Biennial II, Geneva

The second edition of the (re)connecting.earth biennial of art and urban nature aims to (re)focus attention on the natural elements that make up our urban environment. After exploring urban gardens and eco-neighbourhoods in 2021, the 2023 biennial of art and urban nature is taking shape around the theme of lakes and water. Curated by Bernard Vienat with works by Maria Thereza Alves, Caroline Bachmann, Flurina Badel & Jérémie Sarbach, Mauren Brodbeck, Seba Calfuqueo, Luis Camnitzer, Gabo Camnitzer & Lluís Alexandre Casanovas Blanco, Julian Charrière, Collectif Tchan-Zâca, Andreas Greiner & Takafumi Tsukamoto, Valérie Favre, Anne-Laure Franchette & Manon Briod, Marie Griesmar, Hans Haacke, Christina Hemauer & Roman Keller, Monica Ursina Jäger, Alexandre Joly, Diana Lelonek, Diana Lelonek & Denim Szram, Antje Majewski, Adrien Missika, Uriel Orlow, Carmen Perrin, Som Supaparinya, Raul Walch, Pinar Yoldas, Zheng Bo


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Future Plants | ETH Zurich

The future of our plants is one of the greatest challenges facing humanity. How do 15 artists respond to this current discourse and the future of plants? What is the future of plants and their interaction under the drought conditions of climate change? Should plants and production systems be redesigned or diversified for climate adaptation? Will they lose their nutrients? Can our soil, seeds, and water be preserved? In this exhibition, 15 well-known artists reflect on these questions together with researchers in the greenhouse of the SAE Sustainable Agroecology Group at ETHZ.


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Chaleur Humaine | Dunkerque Triennale

Chaleur humaine, the second Art & Industry Triennial, will unfold over the second half of 2023 in Dunkirk and throughout the Hauts-de-France region. This year’s event will explore the issue of energy. To tackle this far-reaching topic, Triennial initiators and organizers the Frac Grand Large and the LAAC—collectively Le Pôle Art Contemporain de Dunkerque—have invited two independent exhibition curators: Anna Colin and Camille Richert, assisted by Henriette Gillerot. Their curatorial brief focuses on observing how energy challenges arising since the mid-1970s have impacted art, design and architecture, and, conversely, how these fields have shaped challenges, reflections and debates linked to energy, the environment and the planet. The wide ranging works on display will invite onlookers to discover practices linked to excess energy consumption; access to natural resources; issues related to sustainability and environmental responsibility; the transformation of landscapes and people’s relationships with their visible and perceptible surroundings; the ongoing tug-of-war between forces and fatigue in the living world; and the flow of data and energy.


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The Glass City | Radius CCA, Delft

Located on the North Sea coast between Delft, The Hague, and Hook of Holland is a region where there are no seasons and the sky glows orange at night. This is the Westland: once an agglomeration of farming villages whose mild climate and clay soils made it home to grapevines and potato fields. The Westland is now the world’s largest continuous area of glasshouses, all 2,300 hectares of them. The grapes and potatoes have given way to high-tech agribusiness and intensive cultivation, mainly of fruit, vegetables, cut flowers, and ornamental plants. The exhibition THE GLASS CITY explores the Westland through the work of eight artists. It provides insights into the relationship between agriculture and technological innovation and transformation, the balance between natural and artificial, economy and ecology, and the future of food production.


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Common Ground | Weiertal Biennale

Juchart, 2049

Curated by Sabine Rusterholz Petko with works by Brigham Baker, Vanessa Billy, Nicolas Buzzi und Harmony, Ishita Chakraborty, Sam Falls, Dorota Gawęda & Eglė Kulbokaitė, Sarah Hablützel & Marko Mijatovic, Dunja Herzog, Thomas Julier, Hanne Lippard, Lithic Alliance, Martina Lussi, Thi My Lien Nguyen, Uriel Orlow, Reto Pulfer, Miriam Rutherfoord & Joke Schmidt, Raul Walch.


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